Trinity Cathedral
Beethoven in the Labyrinth at the Classical Revolution Phoestival
Posted on 4/05/13 by Katrina Becker » No Comments
Performance & venue schedule for Classical Revolution Phoestival 2013
Sample free classical music at the third annual Classical Revolution Phoestival, a casual, unique buffet of chamber, percussion, and choral performances held as part of Artlink’s First Friday on April 5. Shuttles stop conveniently at Trinity Episcopal Cathedral, where ten ensembles play over the course of three hours. While all four stages are on the cathedral’s grounds at Roosevelt and 1st Avenue, they range from an upstairs auditorium to the outdoor Labyrinth.
Presented by Classical Revolution Phoenix (CRPHX), a grass-roots organization promoting free chamber music performances in unusual, non-traditional settings, the Phoestival offers a demonstration of the cathedral’s organ by Canon Musician Erik Goldstrom as well as an open rehearsal by the Grammy-winning Phoenix Chorale.
Phoenix Chorale in open rehearsal (photo: Jen Rogers)
Other highlights feature opera scenes performed by Opera Revolution, flutist Jenna Daum with pianist Drew Quiring, a brass quintet, and a string quartet. The more unusual ensembles include the Arizona State University Pan Devils Steel Band, playing instruments painstakingly crafted from 55-gallon oil drums, and the Mana Saxophone Orchestra AZ, comprised of instruments from saxophone to bass.
The Classical Revolution movement began in 2006 in San Francisco and rapidly expanded to more than 30 chapters around the world, inspiring local musicians to create networks and spread their love of the art through high-quality, readily accessible performances. CRPHX co-founder, bassoonist, and recent ASU doctoral graduate Joseph Kluesener says, “Classical Revolution exposes new audiences to classical music styles and beyond…by breaking down…traditional expectation.”
Bassoonist and Classical Revolution Phoenix co-founder Joseph Kluesener
As CRPHX’s main event designer and ensemble booker, Kluesener works closely with Phoenix Chorale Director of Marketing & Communications Jen Rogers, who says, “We call ourselves co-founders — kind of like charter members — but I think of us more as coordinators.”
Rogers continues, “The primary host and sponsor of the Phoestival is the Chorale, [which] provides the venue, design and printing of the flyer, piano tuning, other infrastructure…and helps secure partners.” CRPHX’s volunteer-driven cooperation continues to develop beyond the Phoestival to performances around the Valley, thanks to word of mouth and the wildfire effect of social media.
Among its occasional special events, CRPHX presents a regular monthly concert series at Trinity Cathedral each First Friday, and Second Friday jam sessions at Harley’s Italian Bistro. The Lost Leaf Bar and Gallery hosts 21-and-older shows on the third Wednesday of every month, and Bookman’s of Mesa offers Final Friday performances. CRPHX takes a break during the summers, since many of the movement’s volunteer musicians leave town for festivals and other opportunities.
Guitarist Joseph Higginbotham at a past Classical Revolution Phoestival
“I’ve seen our impact slowly spread and grow among average community members and the finest classical musicians in the area. Anyone with interest in us…will find a willingness to produce projects and make an impact…in a very special, musical way,” says Kluesener.
Musician Katherine Palmer is relatively new to CRPHX; she began participating last August. “We’re lucky in the Valley,” Palmer says, “because there are a number of musicians with many different talents…finding performers has not been as challenging as one would think.”
Their mission continues to foster the Classical Revolution ideal, bringing the music of Haydn, Beethoven, and countless other composers old and new into bars, open spaces, public transportation, and any conceivable performance space, spreading the pleasures of classical music in unexpected ways.
If you go:
- April 5 — Classical Revolution Phoestival at Trinity Episcopal Cathedral (100 W. Roosevelt)
- Upcoming CRPHX events:
- April 12 — Harley’s Italian Bistro jam session (ages 21+)
- April 26 — guitarist Joseph Higginbotham at Bookman’s of Mesa
- May 3 — ASU Collaborative Piano Studio and Paradise Winds at Trinity Episcopal Cathedral for First Friday
- May 10 — Harley’s Italian Bistro jam session (ages 21+)
- May 31 — Phoenix Chamber Brass at Bookman’s of Mesa
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- Guests Michelle Fiskaa and Johnny Kongos at a past Classical Revolution Phoestival
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- Mana Saxophone Orchestra AZ
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- Bassoonist and Classical Revolution Phoenix co-founder Joseph Kluesener
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- Phoenix Chorale in open rehearsal (photo: Jen Rogers)
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- Performance & venue schedule for Classical Revolution Phoestival 2013
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- Phoenix Chorale in open rehearsal (photo: Jen Rogers)
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- Guitarist Joseph Higginbotham at a past Classical Revolution Phoestival
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- Brass quintet at Classical Revolution Phoestival 2012 (photo: Jen Rogers)
Phoenix Chorale Rejoices in the Season
Posted on 12/21/12 by Katrina Becker » No Comments
Phoenix Chorale (by Tim Trumble)
The sound of the Phoenix Chorale can be something like an instantly addictive drug – often, listeners are hooked after hearing just a few notes sung a cappella, without accompaniment. In addition to winning Grammy Awards, the Chorale’s mesmerizing sound recently received even more recognition – iTunes named the choir’s recording Northern Lights: Choral Works by Ola Gjeilo as Best Classical Vocal Album of the Year.
Led by Artistic Director Charles Bruffy, the Chorale turns those clear, pure tones to holiday repertoire for a program scheduled for performances December 20-23 at venues around the Valley, including Brophy Chapel and Trinity Cathedral. While the concerts include traditional favorites like “I Saw Three Ships,” “Angels We Have Heard on High,” and the “Wexford Carol,” the centerpiece is a 10-movement suite called Gaudete! (“Rejoice”) written by former Phoenix Chorale director Anders Öhrwall, and performed by the Chorale in his memory.
Anders Öhrwall & friend (by Sven-Erik Sjoberg/Scanpix)
Born in Sweden in 1932, Öhrwall founded the Bach Choir at Stockholm’s Church of Adolf Frederik, leading it for 36 years. He received a Swedish royal medal for his work, and conducted the Swedish Radio Choir and Youth Choir, the Stockholm Philharmonic Choir, and the Drottningholm Baroque Festival. Öhrwall was known not only for his meticulous rehearsal technique, but also for his numerous and popular choral arrangements and compositions.
Öhrwall conducted the Phoenix Chorale for two years when it was known as the Bach & Madrigal Society of Phoenix, leading the ensemble’s change of name to the Phoenix Bach Choir from 1990 to 1992. He died on February 4, 2012 at the age of 79.
The tunes of Gaudete come from a collection of Latin songs published in 1582 in Sweden, and while the melodies may be recognizable – from carols like “Good Christian Men, Rejoice” and “Lo, How a Rose E’er Blooming” – the text is less familiar. Öhrwall’s work stands apart with its addition of a woodwind trio, featuring a local ensemble: the Paradise Winds. “It’s the clarity of the Phoenix Chorale that sets it apart, but also that they make such a warm sound,” Bruffy explains. “I think it’ll be a really nice and complete sonority in this pairing with instruments.”
Joseph Kluesener of the Paradise Winds
Founded by bassoonist Joseph Kluesener, the Paradise Winds shape themselves into a flexible, varying ensemble depending on the requirements of the music. “For this concert,” says Kluesener, “there’s a combination of bassoon, oboe, and flute, and the repertoire divides the winds into different arrangements of those three instruments.” The oboist is Nikolaus Flickinger, and the flutist is Arizona State University professor Elizabeth Buck.
Kluesener, who also organizes Classical Revolution PHX, created the Paradise Winds as a genre-bending group in 2009 using ASU graduate students, alumni, and faculty. “That was the point,” he explains, “to control the programming, the repertoire we play, and to really get to know what our instruments can do together.”
As a testament to the group’s innovative and tight-knit sound, it’s been featured on American Public Media’s radio show Performance Today. Although the musicians don’t have a regular rehearsal schedule, they do enjoy a deep familiarity with their ensemble. “Everybody is really keenly capable,” says Kluesener, “so we don’t have to waste a lot of time mastering the vision of the presentation…because we’ve done so much together over the last three years.”
Beyond Öhrwall’s Gaudete, other holiday repertoire takes advantage of the Paradise Winds in different configurations – for example, Philip Stopford’s arrangement of “Silent Night” adds flute to the choir. “It’s one of my favorite songs throughout the year,” says Bruffy. “I love the melody of it, and the peace that it always evokes. It’s just quite lovely in its simplicity with an occasional fingerprint on the harmonies [from Stopford].” Born in 1977, Stopford has been compared to iconic choral composer John Rutter.
Charles Bruffy leading the Phoenix Chorale (by Tim Trumble)
In the case of “Hark, the Herald Angels,” Bruffy says he told his friend Jim Taylor, “Hey, I like this piece, but I’m only going to have flute, oboe, and bassoon – can you hook me up?” Bruffy smiles and continues, “So he created this arrangement with the specifications of just the three instruments instead of a whole orchestra.” He laughs. “It’s the ‘Hark, the Herald’ that we know, but this time ‘Herald’ has a little more character.”
For contrast, the Chorale also performs three other arrangements of the classic Gaudete verse – one is from Phoenix Chorale soprano Kira Zeeman Rugen, who created her version for the male voices in a choir she conducted at ASU. Audiences even have the chance to sing along during a few favorite carols at each concert.
“One thing that I really like about the entirety of the program,” says Bruffy, “is that with the complexity and velocity…and even voracity of the season, the pieces we’re going to be doing are simply beautiful.”
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- Phoenix Chorale sing-along (by Jen Rogers)
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- Nikolaus Flickinger of the Paradise Winds
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- Phoenix Chorale in Brophy Chapel (by Jen Rogers)
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- Phoenix Chorale (by Tim Trumble)
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- Charles Bruffy in rehearsal (by Jen Rogers)
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- Anders Ohrwall & friend (by Sven-Erik Sjoberg/Scanpix)
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- Elizabeth Buck of the Paradise Winds
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- Phoenix Chorale (by Jen Rogers)
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- Phoenix Chorale (by Tim Trumble)
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- Anders Öhrwall
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- Phoenix Chorale (by Tim Trumble)
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- Phoenix Chorale (by Tim Trumble)
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- Phoenix Chorale (by Jen Rogers)
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- Artistic Director Charles Bruffy (by Tim Trumble)
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- Charles Bruffy leading the Phoenix Chorale (by Tim Trumble)
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- Joseph Kluesener of the Paradise Winds
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- Phoenix Chorale sing-along (by Jen Rogers)
From the Arizona Room | 100 W. Roosevelt St. — Trinity Cathedral
Posted on 4/14/10 by Si Robins » 2 Comments
From the Arizona Room is a weekly column examining the historic, reuse and infill structures in Downtown Phoenix. The inspiration for this column stems from the ever-expanding resources in Burton Barr Central Library’s Arizona Room (located on the fourth floor). For further information on this and other historic structures in the area, visit the Arizona Room during normal library hours.
100 W. Roosevelt St. in Roosevelt
The Phoenix Chorale performs inside Trinity Cathedral. Photo courtesy of Phoenix Chorale.
Just a block west of the Central and Roosevelt light rail station sits one of the Valley’s most striking church campuses. Trinity Cathedral, which has been on the corner of 1st Avenue and Roosevelt Street since the mid-1910s, is a towering Mission Revival sanctuary that serves as a gorgeous welcoming into the Roosevelt Historic District.
The church itself, which has two wings centered around a three-sided courtyard facing Roosevelt Street, was conceptualized by Boston architectural firm Shelpey, Rutan and Coolidge. The design for the structure began in 1910, but various factors kept the church from breaking ground until 1915. Shelpey, Rutan and Coolidge began the several-year project, but Coolidge later finished it with his subsequent firm, Coolidge and Shattuck.
The two-story stone structures you see today, red-tiled roofs and all, are true to the original design and build of the church. Any additions or fixes to the buildings, noted as “sensitive additions” by the Phoenix Historic Building Survey, were done with the utmost care. The iron and stained glass doors have been added, but they are in line with the historical feel. The structures themselves are virtually unaltered, except for small touches like new windows and tile repairs.
Source: Phoenix Historic Building Survey, Charles Hall Page and Associates, Inc., Sept. 1979.
Is there a historic property in Downtown Phoenix you’d like to see in From the Arizona Room? Email me at si@downtownphoenixjournal.com with the address and a brief description.
KBAQ and Phoenix Chorale’s First Friday Scavenger Hunt
Posted on 9/04/09 by Si Robins » No Comments
The First Friday in October, KBAQ and the Phoenix Chorale are teaming up to expose listeners to the vibrant arts scene in Downtown Phoenix through the first-ever First Friday scavenger hunt!
Head to KBAQ.org now to download a virtual scavenger hunt of things you would see on a First Friday artwalk — it may be a new view of a familiar gallery or an unfamiliar art space that could be a fabulous find. Your mission is to identify correctly all images on the KBAQ.org Scavenger Hunt webpage at tonight’s (September 4) First Friday artwalk for a chance to win a fun Phoenix Chorale prize package.
Then, come visit KBAQ and the Phoenix Chorale on First Friday, October 2 at the Trinity Cathedral (100 W. Roosevelt St.) from 6:30 to 9:30 p.m. to turn in your entry sheet and see how many you answered correctly. Stick around to listen to the Chorale’s open rehearsal for its fall performance! Test your eagle eyes against other arts enthusiasts this September – and discover a new part of the Phoenix arts scene — with KBAQ and the Phoenix Chorale.
Cantemus Presents Mozart at Trinity Cathedral
Posted on 3/25/09 by DPJ Staff » No Comments
Join Cantemus and artistic director Dr. Mark Francis this Friday, 7:30 PM, at Trinity Cathedral (100 W. Roosevelt St, right off the Roosevelt/Central Ave light rail station) as they take a look into some of Wolfgang Amadeus Mozart’s sacred choral works: the Vesperae solennes de Confessore (KV 339) and the Missa Brevis in C Major (KV 259). Tickets are $25 for adults and $20 for students and seniors.
