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Artlink’s 16th Annual Juried Exhibition presents the work of twenty-six exceptional Arizona artists. A panel of three jurors from the Arizona arts community chose the exhibition pieces from over fifty submissions. This year’s jurors included Phoenix Art Museum Director, Jim Ballinger; Phoenix artist, Randy Slack; and avid art supporter, former gallery director, and downtown community advocate, Louise Roman.
The twenty-six artists featured in this year’s show are AztecSmurf, Malena Barnhart, Chris Boyd, Ryan Carey, Samuel Dahl, Mary Helsaple, Jeff Jones, Maggie Keane, Peter Brian Klein, Lindsay Kraemer, Constance McBride, William Mullins, Lisa O’Riley, Sandra Ortega, Rockford Orvin, Amanda Phipps, Alicia Robles, Julio Rodarte, Jill Roig, Patricia Sannit, Stacie Schimke, Ingrid Shults, Edward Taylor, Lucretia Torva, A.O. Tucker, and Joan Waters.
The top three selections will be announced at the Opening Reception, this Thursday, September 4 from 6 – 10 p.m.
“This year’s exhibition is extraordinary. We were inspired by the diversity of submissions we received from so many talented Arizona artists. We’re looking forward to sharing this amazing show in the iconic Icehouse white column gallery,” said Sarah Levi, Vice President of Artlink.
The show will remain in place at The Icehouse, 429 W. Jackson Street (Jackson and 5th Ave.), throughout the month of September 2014. The exhibition will be open during the Opening Reception on the Thursday, September 4 from 6 – 10 p.m. (with refreshments provided by Phoenix Ale Brewery); on First Friday, September 5; and Third Friday, September 19, also from 6 – 10 p.m.
About Artlink Artlink, Inc. is a 501(c)(3) nonprofit organization dedicated to linking artists, business and the public to better understand, appreciate and support a thriving arts community in downtown Phoenix. Artlink supports a variety of community-based art events. Ongoing community projects include support of the First Fridays Art Walk, the country’s largest self-guided gallery tour; Downtown Arts Tours, specially selected guided gallery tours; the year-round Pop Up Gallery Program; an annual Juried Exhibition; the annual Art d’Core Gala, and the annual Art Detour self-guided tour, featuring open studios, pop-up galleries, family-friendly art experiences and more. Artlink’s year-round activities are supported by Downtown Phoenix, Inc., City of Phoenix Office of Arts and Culture, CityScape, APS, Arizona Commission on the Arts, Phoenix Art Museum, The Arizona Republic, Phoenix Convention Center, Dunn Transportation, The Torosian Foundation, Valley Metro, 12 News, City of Phoenix Aviation Department, Support Sky Harbor Coalition, Gammage & Burnham, Attorneys at Law, Arizona Center, Downtown Voices Coalition, Downtown Phoenix Journal , Invexi Web Development, Simply Adam Mann, Roosevelt Row CDC, and the Grand Avenue Merchants Association.
Ed note: DPJ publisher Catrina Kahler is President of Artlink Inc.
Human beings rely on all kinds of tools to survive in our complex world and a good map is one of our most basic tools for understanding where we are and where we want to go. Maps help us get our bearings, step confidently into unfamiliar territory, and discover hidden byways and shortcuts through the larger landscape.
In an urban environment, a good map is a welcome mat inviting us into the unique neighborhoods that make up the specific landscape of that city. Public transportation and easy-to-use destination maps make perfect partners for pedestrians who want to experience the true spirit of a city.
Recognizing this, Valley Metro developed new destination maps, which were installed at light rail stations in late spring. Hillary Foose, Valley Metro’s Director of Marketing & Communication, spearheaded the initiative by partnering with the City of Phoenix, Artlink, Inc. and Local First Arizona to provide a unique level of local neighborhood-specific detail that would communicate the rich destination options just steps beyond each station.
She was looking for what urbanists refer to as the “fine grain” elements of the city to provide a richer sense of place for residents and visitors alike.
“We wanted destinations to be very local,” said Foose. “That’s what makes our system interesting; we can point people to the local gems that they can walk to from each station.”
The new maps are easy to read, and each station features a “you are here” circle showing the destinations within a five-minute walk of that station. And the plan is to update the maps twice a year. Very cool.
In addition to these station maps, Valley Metro has gone the extra mile to link residents and visitors to the many arts and culture destinations accessible from the system.
The Valley Metro Arts & Culture Destination Guide was published in March and features fifty destinations between Phoenix and Mesa.
Each page of the guide features a simple map highlighting each station stop and the major cultural attractions within easy walking distance. There are photos, venue descriptions and contact info that make it easy to use and more valuable than a compass for those who want to explore all of their arts and culture options.
Savvy visitors from around the Valley and beyond can use the station maps in combination with the Arts & Culture Destination Guide to explore, shop, eat, and experience what makes our corner of the world so special.
Next time you use the light rail, take a minute to download an Arts & Culture Destination Guide and scope out the station destination maps before you step off the platform and venture out into the hood. You’ll be amazed at the urban treasures you’ll discover in your own backyard.
Images courtesy of Valley Metro
The Grand Avenue Arts District is a neighborhood on the rise. Set along the lower section of Grand Avenue in downtown Phoenix, it is a place where arts and community converge.
Recent improvements resulting from the EPA’s Greening America’s Capitals grant have left Grand Avenue a more beautiful pedestrian and bike-friendly place. The district is home to a range of businesses, including art galleries and studios, offices, restaurants and bars. It is also a major hub of activity for Artlink’s First and Third Friday Art Walks.
Part of this activity and growth can be attributed to the efforts of property owners like Tom and Laurie Carmody. The couple have championed real estate and redevelopment projects in multiple districts throughout downtown Phoenix, including in Roosevelt Row, Grand Avenue and the Midtown District.
Currently, the Carmodys’ energy is focused on Grand Avenue, with a project called The Groove on Grand, located at 1028 NW Grand Ave., in the former location of The Paisley Violin.
No strangers to the neighborhood, they were part of the force behind the development of the Oasis on Grand, a vintage motor lodge transformed into an arts-focused residential community.
With The Groove, they hope to create a gathering place for people in the neighborhood and beyond. “We’re very engaged in the revitalization of the arts district on Grand, and we think that this can be a part of that— a place where the community could come together and meet, with food and wine, and where artists can participate,” says Laurie Carmody.
The layout of The Groove on Grand forms its own little neighborhood, with its main building facing the street, and a cluster of historic cottages situated around an expansive tree-shaded patio in the back.
The collection of brightly-colored cottages was once part of the World War II POW camps at Papago Park before they were salvaged and relocated by the Carmodys. In their new life, they house a variety of small businesses and studio spaces.
One of these is the Red House Pub, living up to its name with a small bar in a bright red cottage. The Red House serves beer and wine Tuesday through Saturdays, with different musicians and DJs every night.
Other residents of the Groove on Grand include Kustumz Hairshop; Grand Ol’ Optics, a vintage eyewear and eyeglass repair shop; The Citizen Royal, a women’s clothing and personal style boutique; Muse Gallery Boutique; artists’ studios and soon, a retail/wholesale coffee roaster. The historic 1930s main building houses an art gallery and designer chocolate shop, ib2 Chocolate.
On First and Third Fridays, The Groove hosts live music, food trucks and displays different featured artists throughout its buildings.
With the arts as the linchpin for Grand Avenue, The Groove is focused on supporting the artists who work and live in the neighborhood. “The more artists we have that are thriving, then the street thrives,” says Laurie.
“It’s a dynamic place. It has a lot of energy and people like to be involved in it, to be around it. And I think it’s creating a nice atmosphere to promote collaboration and communication between the neighbors and the street and the community.”
Don’t miss the once-a-year opportunity to peer into the studios of working artists and wander through galleries during Artlink’s Art Detour 26 this weekend. Along with the top art venues of downtown Phoenix and countless pop-up exhibits, dozens of painters, sculptors, photographers, glassblowers, and other creative minds open the doors of their private space to curious visitors.
With the event map in hand, art lovers can explore more than 100 stops on a two-day self-guided tour, many within convenient walking distance of the free Art Detour shuttle route. Docents ride along on two London-style double-decker buses circulating continuously at 20-minute intervals between 11 a.m. and 5 p.m. on Saturday and Sunday, while four information hubs at Phoenix Art Museum, Oasis on Grand, CityScape, and the Arizona Center provide volunteers ready to answer questions.
The adventure begins this evening with a greater-than-usual array of First Friday opportunities, including an open rehearsal by the Phoenix Chorale at Trinity Cathedral. While you’re there, check out Olney Gallery’s Color Color Color! exhibition, featuring work by Kaori Takamura, Sarah Kriehn, and Christopher Jagmin.
Elsewhere, the weekend is filled with live music — along with a multitude of casual performances like Bones of Folk’s Danyul Kostin at Oasis on Grand and the Moonlight Howlers at The Lost Leaf, tonight’s ambitious Viva Phx festival brings 70 groups — including Sir Mix-A-Lot, The Neighbourhood, Black Carl, Tobie Milford, and Pinback — to 14 venues ranging from Crescent Ballroom to the Hotel San Carlos to the Arizona Latino Arts and Cultural Center. The next day, Phoenix Blues Society’s Blues Blast ’14 fills Saturday with tunes from Hans Olson, Leon J’s JukeJoint, the Mike Eldred Trio, and other Rhythm Room stars at Margaret T. Hance Park — show an Art Detour map for a ticket discount.
Once your ears are satiated, fill your eyes with images from Artlink board member Hugo Medina, curator of the Phoenix Phabulous History Mural showing at Walter Studios. “I think it’s important that artists keep creating, pulling forward, which I try to do with my own work as well,” he says. “Phoenix is a phenomenal destination…. We’ve just got to start getting the collectors to start coming out, and that’s the challenge.”
For the month of March, R. Pela Contemporary Art will display Banned at the Herberger, including part of a controversial canceled show originally scheduled last fall at the Herberger Theater Center Art Gallery. The exhibit includes work by Mike Ford, Ronnie Ray Mendez, and Lisa Albinger. “Mike Ford’s photographs, about his relationship with his mother who has Alzheimer’s disease, have such depth,” says curator Robrt Pela. “There’s sadness, and camp, and real emotion. I had to share them.”
He continues, “I think that the art that I’m showing…I want there to be craftsmanship and beauty, but there has to be another element too…some commentary, some politics, some pain. It can’t just be something that’s lovely to look at because that isn’t quite enough.”
Other popular, highly-regarded mainstays anchoring First Friday and Art Detour include Practical Art and monOrchid. Great Arizona Puppet Theater offers edgy, quirky, adults-only Puppet Slams both Friday and Saturday nights.
All weekend, kids can find plenty of fun with finger-paint murals, demonstrations, workshops, and other family-friendly activities at Kids’ Detour, various galleries and studios, and the Blues Blast. Retailers and restaurateurs also add to the experience with extended weekend hours and specials.
If you go:
- Artlink First Friday on March 7
- Viva Phx music festival on March 7
- Phoenix Blues Society’s Blues Blast ’14 on March 8
- Artlink’s Art Detour 26 on March 8-9
On Saturday, March 1, Artlink Inc., in partnership with Downtown Phoenix Inc. hosted the Art d’Core Gala at Crescent Ballroom, which featured Mayor Greg Stanton giving his first “Celebrate Downtown” address. The event was sponsored by CityScape, APS, Phoenix Convention Center, Valley Metro, 12 News, City of Phoenix Aviation Department, Support Sky Harbor Coalition, United Phoenix Fire Fighters, and Gammage & Burnham Attorneys at Law.
Despite the spring rain, more than 500 Phoenicians attended the event that celebrated the contribution of the arts and local culture to the resurgence of downtown, adding color and vibrancy to our urban core. It served as a festive kick-off to Artlink’s Art Detour 26, March 8-9, 2014.
Below is the transcript of the Mayor’s address.
Celebrate Downtown Address
Saturday, March 1, 2014
Special thank you to Catrina Kahler, the Artlink Board Chair who organized this incredible event. I want to thank Downtown Phoenix, Inc. Let me tell you about what they did just recently. When our Legislature passed S.B. 1062, DPI spoke out, and joined an overwhelming majority in our community by writing Governor Brewer a letter asking her to veto that terrible legislation. DPI stood up for Phoenix’s anti-discrimination ordinance, because we all know that an inclusive community is a stronger community.
I’m so happy to be with you to Celebrate Downtown – because there is a lot to celebrate. Downtown is back! Downtown is certainly alive tonight.
“…the fabric of a vibrant community isn’t any set of buildings. It’s the people. It’s residents, artists, entrepreneurs, restaurateurs. It’s you.”
That’s such good news – and for many people around the city and Valley, that may be unexpected news.
That’s because for so many decades, downtown Phoenix really struggled. Once grand buildings at the heart of our city were left to deteriorate or were torn down. Busy streets fell silent as new development lured businesses and customers. Eventually, people moved away from downtown too.
Many in our community sought to change that.
In the 90s, new development brought people back – at least for events. But even great venues like America West Arena and Bank One Ballpark weren’t enough. I came to the City Council more than a decade ago, and at that time, we pushed for forward-thinking investments. Investments that made the Biomedical Campus, T-Gen and ASU Downtown possible.
In 2000, the entire city took a risk, voting for and uniting behind Light Rail. That made it easier for everyone to get to our downtown.
Finally, after so many years of hard work, we were making progress.
Then, the recession hit. Arizona took it hard. Downtown Phoenix too. Those investment dollars came to a screeching halt.
Those times were tough, but for all of the heartache, there was also a silver lining. . . It gave us
time. Time to pause and really think about the kind of downtown we wanted. Did we have the right people at the table?
Because as far as we had come – deep down, all of us knew we could do even better.
Yes, constructing those “signature buildings” was important. But we had to do more. We had to show that downtown can be a neighborhood too. A community with life. And the fabric of a vibrant community isn’t any set of buildings. It’s the people. It’s residents, artists, entrepreneurs, restaurateurs. It’s you.
And it also gave us time to understand that our downtown doesn’t have to look or feel the same as downtowns in other cities. The urban cores of other big cities were shaped a century ago, and are chained to the ideas of the past.
“…our city’s relative youth is one of our greatest strengths. That’s because the people in this community, the people in this room – we are in control of downtown’s destiny.”
We’re not. When downtowns across the country lost their residents to the suburbs after World War II, Phoenix was too young to have a big downtown. And too many of the buildings that were here were torn down.
We have to learn from those mistakes.
But like it or not, much of downtown Phoenix today is a fresh canvas.
Phoenix is a big city. But we’re still a young city. But our city’s relative youth is one of our greatest strengths. That’s because the people in this community, the people in this room – we are in control of downtown’s destiny.
The decisions we make – not me, we – will determine our future. This won’t be shaped by outside forces. As long as I’m your Mayor, it will be shaped by you.
We will realize our shared vision for downtown: a vibrant, walkable, livable community where education, the arts, and commerce thrive.
That’s the downtown that works for us. . . all of us.
Getting there means we have to break free from the old way of doing things.
Re-organize the decision-making process, and build one that fostered teamwork and creativity. Create a process that includes everyone.
When I ran for Mayor, I said I’d make that a priority so you would have more than a seat at the table. You’d have a voice in making decisions.
Downtown Phoenix, Inc.
This is what Downtown Phoenix, Inc. is for.
“…for the first time – the arts community, downtown residents, Downtown Phoenix Partnership, Phoenix Community Alliance, and businesses large and small are all working together on the same page.”
We looked at how other cities with growing and urban downtowns operated – and we took the best of their ideas.
In D-P-I, we have a new structure that coordinates downtown’s activities much more efficiently. But most important – D-P-I brings everyone together. We have great community representation on its board in Cindy Dach, Tim Eigo, and Kimber Lanning. And in Dave Kreitor, we have a leader who understands every part of downtown.
This new unity means that – for the first time – the arts community, downtown residents, Downtown Phoenix Partnership, Phoenix Community Alliance, and businesses large and small are all working together on the same page.
D-P-I gives us the tools we need to use every part of downtown to create new things, big and small.
And D-P-I is working with Roosevelt Row and many others who have already helped create a sheer number of events beyond what we could have ever imagined just a few years ago. Think about it:
• The first Viva Phoenix with more than 50 bands coming next weekend
Every week, something unique is happening to bring life to our downtown. And we are getting ready to showcase downtown Phoenix on an international stage by hosting the Super Bowl.
It will bring in hundreds of thousands of people to our downtown each night in the days leading up to the game. But it can only be successful if each of you is at the table and help as we plan those events.
That’s precisely what Downtown Phoenix, Inc. is all about.
It’s about the everyday energy we feel in our community.
We know how important that is because we all remember when too often this area felt more like a ghost town than a downtown.
Urban, Walkable Downtown
I remember just a couple of years ago going to Lola’s coffee on a Sunday afternoon. There was hardly anyone around. A few weeks ago when I was there it hit me – it was full, and so was Pita Jungle next door. There were people walking and biking, relaxing, eating, walking dogs.
That’s the future we all hope for: urban, walkable, and multi-modal.
We’ve done a lot of things to move downtown in that direction.
In 2011, Phoenix passed a new Downtown Form Code that set new rules for development, and tried to direct the street experience.
That was a good first step. When I took office, though, I thought we could do more – especially for pedestrians.
We took action, making big changes that went into effect just last year.
And wow – for the first time – nearly every downtown street is a designated pedestrian street. Here’s why that’s important.
• New construction now must include ground-level activation, and provide shade for sidewalks. Every single property has to be walkable.
• Apartment buildings – they all have to include bike racks. High-rise office buildings –must have showers for those who want to bike to work.
• And though it has been a long time coming, our bike share program finally is nearing the end of testing and will be rolling out soon.
“That’s the future we all hope for: urban, walkable, and multi-modal.”
With the right projects, we can capitalize on that progress. The City of Phoenix has put out an R-F-P to make new and better use of property at Central and Van Buren so we can advance multi-use centers that bring in new residents.
We are working on a new Complete Streets Plan that represents an entirely new approach to how we design and build our streets. It recognizes the fundamental idea that every street should accommodate pedestrians, bikes, transit, and … yes, even cars too.
The plan may not be done yet, but we’re already getting to work. We’ve already started a few new road diets to make our community more walkable.
The Grand Avenue folks approached us with a good idea: use new paint to narrow Grand Avenue and allow plants, parks and other things in the right of way. Create more walkable space, let restaurants use the space for seating.
We got it done in about six months – record-breaking time that shows we’re serious. If you haven’t been to Grand Avenue, please, go check it out.
We did the same thing on First Street from Pierce all the way up to Hance Park. It’s temporary and not perfect, but it’s a huge improvement.
We’re re-thinking one-way streets, and exploring whether it would be better to have two-way streets in some places instead. Yes, one way streets serve a purpose; they make it easier to people to get in and out. But two-way streets are better for neighborhoods, and better for small business owners.
At the same time we’re transforming our streets, we’re turning dilapidated buildings into new businesses and homes.
Through our adaptive reuse program, the City is waiving its fees and making it easier for those who want to find new use for old buildings.
That’s been incredibly powerful in the Warehouse District – where we’re sending the message that, yes, you too are a part of downtown.
All along Grant Street south of Lincoln: WebPT, the Herberger Institute of Design, Michael Levine’s buildings. The Press Room on Madison.
In other parts of downtown, great place like the Public Market Café, Angel’s Trumpet, and Pomo were possible in part because of the adaptive reuse program. Two projects I’m most excited about are in the works: the renovations of Luhrs Tower and the Hotel Monroe. These historic structures have been under-used for years – but will soon add new life to downtown.
Hub for Education, Entrepreneurs and Commerce
As we preserve the buildings of our past, we’re also creating new centers for education, entrepreneurs and commerce.
We’re supporting new K-12 schools – good schools – in our urban areas because downtown must be a place for families with children too.
At same time, we’re becoming a hotspot for higher learning There were so few students in downtown just a decade ago. By 2020, there will be more than 17-thousand. That’s exciting.
Like any big experiment, there have been a few bumps in the road. But with each project, it gets better and better.
And now, the highest-ranked education opportunities in Arizona are – or soon will be – offered in downtown Phoenix.
• U of A’s medical school, which will open one of the top cancer centers in the country next year.
• ASU’s Sandra Day O’Connor College of Law – one of the top 10 public law schools in the nation – will move downtown in 2016.
And these aren’t the only places spurring new, innovative ideas.
Co-working spaces are booming. Co+Hoots is already at its limit and expanding.
“…we finally have engaged residents who have created a fantastic community.”
That makes a difference all over the Valley, and all over Arizona. The activity in a strong downtown can shape the economy of our entire region.
In north Phoenix, up near Desert Ridge, we’re building a massive, thousand-acre biomedical corridor.
It will also create new jobs – good jobs – but it never would have been possible without the success of the Downtown Biomedical Campus.
A strong downtown contributes everywhere because no other part of our region can claim such a unique and vibrant integration of residents, academics, art, government, commerce and entrepreneurs.
Downtown Phoenix is truly one of a kind.
Just two years ago, the conversation we were having was about how downtown was on the brink of turning the corner.
Today, it finally has.
And the conversation we continue to have is, “How we can best work together to make downtown even stronger?”
There’s a lot of work to do. As I said earlier, in many ways, we’re working with a fresh canvas. Yes, we’ve got a few old buildings we need to save. We have empty lots we need to change. But we finally have engaged residents who have created a fantastic community.
I can’t read the future, but I can tell you where I think downtown Phoenix is headed.
It will build on its role as the transit hub of the Valley. And one day Light Rail will integrate the areas south of downtown as part of the community, as well as the Capitol Mall and beyond.
We will be home to thousands more entrepreneurs and start ups.
The arts community will be firmly established.
New residents will be able to choose from a wide variety of housing options.
And those who want to ride their bike or walk to work or a restaurant – and one day, a grocery store – will find it easier than ever before.
I guarantee you it will not always be easy. There will be a lot of debate and even some mistakes along the way. That’s what makes downtown unique. Each of you is smart, creative and engaged. We’ll get it right, but only if you hold the City’s feet to the fire and demand excellence.
We’ve known each other and worked together for many years now. I’m incredibly proud of what you’ve done to shape our community. That’s why it means so much to me when you’ve called me “the downtown Mayor.”
I love downtown because it belongs to you. It belongs to everyone.
Let’s continue to make it as incredible as we know it can be.
Photos by Christopher Boats O’Shana. Courtesy of Artlink Inc.