News & Events
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Local First Movement Gains Pivotal Seat at the Traditional Economic Development Table
International Economic Development Council Names LFAZ Director Kimber Lanning Citizen Leader of the Year
Local First Arizona Director Kimber Lanning has been named the recipient of the 2014 Citizen Leadership Award from the International Economic Development Council (IEDC). The annual award recognizes a community leader who has endeavored to further the profession of economic development and has played a key role in economic development in his or her community.
“This award is a milestone in a changing economy, one that is now recognizing the work of Local First Arizona and other Local First initiatives as a viable part of economic development.” said Phoenix Mayor Greg Stanton. “Kimber can proudly accept this award on behalf of everyone working to create sustainable, resilient, diverse, and vibrant local economies in their own communities.”
Lanning’s background is entrepreneurial, having owned three arts-related businesses over the past 27 years. Her work in the arts and culture community provided the platform for Lanning to launch Local First Arizona (LFA) in 2003. “I founded Local First Arizona for two reasons,” said Lanning. “First, I saw too many bright young people leaving Arizona for other cities like Austin and Portland. I wanted to inspire others to stay in Phoenix to help build a world class city. Second, I thought the massive subsidies being given to national chain stores were a raw deal for local communities, and I wanted to see Phoenix return to a climate where businesses, particularly retail and restaurants, had to pay their own way.”
Making an impact on the local economy
Lanning’s leadership has transformed Arizona’s local economy in a drastic way. LFA is now the largest locally owned business coalition in North America with over 2,500 business members, large and small. The online business directory she and her team created gets searched uniquely 48,000 times per month on average and they have amassed nearly 70,000 social media followers. She has 13 full-time staff members in offices in Phoenix, Tucson, and Cottonwood working tirelessly to help citizens, business leaders and policy makers to understand the connections between local ownership and widespread prosperity. It is clear that the message is being heard, as the local business community reported sales were up 8.1% in 2013, which is significantly higher than the national average retail sales (local and national chains combined) of 4.2%.
“The movement to diversify our economy isn’t about baristas, shop keepers, or servers,” Lanning explains, “but about the ecosystem of businesses that support independent ownership. Accountants, graphic designers, web developers, attorneys–they all prosper when diverse, independently owned Arizona businesses are thriving. That ecosystem is lost when local business ownership is scarce.”
Using “sense of place” as a tool for economic development
Lanning is quick to site a Knight Foundation study which recently showed “connection to place” as the single-most leading indicator in places that have prosperity. “We need to be sure that people living here feel connected to this place, and locally owned businesses play an important role in that connection. Communities with a strong sense of place are highly successful in attracting the very kinds of high tech workers that our high level economic development teams seek to bring here to Arizona.
“Through Local First Arizona, Kimber continues to create a sense of pride within our communities and showcase the vibrant cities in our region, which helps our organization in attracting businesses to the region,” said Barry Broome, president and CEO of the Greater Phoenix Economic Council. “It comes as no surprise to see an outstanding community leader from Arizona selected as the IEDC Citizen Leader of the Year.”
Policy and programatic successes
As Director of Local First Arizona, Lanning has overseen many policy changes that have fostered local economic development. She has worked on streamlining the adaptive reuse program at the City of Phoenix, which has enabled more businesses to open up in older building stock that only just recently blighted the city. This policy work has been pivotal in jumpstarting downtown Phoenix’s revitalization and recently landed Lanning the Distinguished Citizen Planner Award from the Arizona Chapter of the American Planning Association last year.
Additionally, Lanning and her team have worked diligently on government procurement policies that would enable more Arizona companies to compete, keeping more dollars and jobs flowing through the local economy. Local First Arizona has also seen many programmatic successes that have directly contributed to economic development. LFA was the first local business organization in the country to implement a Spanish language initiative, called Fuerza Local, a business accelerator program which works to encourage low-income Latinos to think entrepreneurially to create a pathway to prosperity for themselves and their families.
Furthermore, LFA’s efforts extended far beyond Arizona’s urban areas when LFA acquired the Arizona Rural Development Council (AZRDC) in May of 2013. Today, Lanning regularly travels across the state to work with rural stakeholders to help find creative solutions for building resilient and diverse economies for the state that include increasing in-state tourism. She also leads the annual Rural Policy Forum, a gathering of rural economic development professionals, nonprofits, community leaders, business owners, and stakeholders who are interested in sustaining rural communities.
Taking a broad approach towards economic development
“The successes of Local First Arizona over the last decade have underscored the broad range of strategies that Arizona needs to pursue for sustainable economic development,” said Lanning. “Through supporting entrepreneurs and locally owned enterprises—both large and small—we are maximizing the ecosystem of a healthy economy that builds widespread prosperity and supports more jobs. Local First Arizona is creating healthy local economies across the state that will in turn draw further economic development opportunities.”
Lanning emphasizes that a healthy Arizona economy needs to be diverse, resilient, and thriving. “To get there,” she says, “We need to invest in our own talent and develop policies that enable our business community to thrive.”
Lanning will accept the Citizen Leadership Award at the IEDC Annual Conference in Fort Worth, Texas, on Monday, October 21. Lanning is the second from Arizona to be recognized with the IEDC Citizen Leadership Award. Last year’s award recipient was Sharon Harper of Phoenix, a founding board member of the Greater Phoenix Economic Council and co-founder of the real estate firm Plaza Companies.
It’s hard to imagine how exciting it must have been to attend the 1913 premiere of Igor Stravinsky’s The Rite of Spring, which ended in a riot because of the disturbing rhythms and incendiary musical patterns. Even Beethoven – now considered a staid staple of classical music – was once regarded as somewhat revolutionary in his harmonies.
A concert titled Opus II features premiere performances of works by members of the Arizona State University Society of Composers, Inc. (SCI) in the informal, inviting setting of Phoenix Art Museum, offering the chance to perhaps hear from a modern-day Stravinsky or Beethoven.
“The partnership with the museum is great,” says SCI president Collette Sipho Mabingani, “because…we have the same mission: exposing the public to this music that sometimes is not accessible.” Mabingani was born and raised in South Africa and obtained degrees at Grand Valley State University and Central Michigan University before earning his doctorate in music composition at ASU.
“I started with [percussion] performance,” he says, “and…you have to improvise, so you get this idea of creating…and I got tired of playing other people’s music. I love experimenting with new kinds of music, so I still try and discover something I’ve never heard before.” At Opus II Mabingani will perform his own composition, a solo autobiographical work using rhythms reflecting his personal journey from South Africa to the West, including Latin cadences.
Other composers will use various configurations of a “Pierrot ensemble” of flute, clarinet, violin, cello, percussion, and piano — named after the instrumentation used by Arnold Schoenberg in his landmark 1912 melodrama Pierrot Lunaire (Moonstruck Pierrot) –- plus saxophone.
“Even though it’s been around for over a hundred years,” says SCI public relations manager Elliot Sneider of the ensemble, “there’s something always new about it, for some reason. There’s a lot you can do with it, so it’s kind of fun to work with.” Shortly after Sneider wrote his dissertation analyzing blues in the music of Aaron Copland, Maurice Ravel, and George Gershwin, he composed Big Hands Blues for piano, then arranged it for Opus II.
“I…was drawn to jazz when I was very young,” he says, “…this pull to jazz composers like Charles Mingus and Thelonious Monk, and the idea of having these structures that…allow for improvisation.”
Sneider studied composition at New England Conservatory of Music and New York University, then received his DMA from ASU, where he was initially intrigued by the work of professor James DeMars. “I have a jazz background,” says Sneider, “so for me there’s always been a pull to accept other cultural music and ‘how do I bring things together?’” He continues, “I found he’s someone who has…made a career dealing with those issues, and so that’s why I wanted to study here.”
“He [DeMars] composes in the same way that I do, which is what we call ‘intercultural music’,” says Mabingani, who also found his advisor’s compositions appealing. “But he uses Native American music with Western music, combines it and makes it his own…so I just fell in love with the way he writes.”
“I think all of the composers at the school really have something unique to bring,” adds Sneider. “Usually you choose your composer and you work only with that person, but here [at ASU] they not only encourage but require you to…work with all of them for a much broader experience.”
“There’s no one dogma, or one style,” says Israeli composer and Doctor of Musical Arts student Gil Dori. “I really got into the music of [ASU professor] Glenn Hackbarth — he’s…into the music on the electronics side, and that’s what I’m interested in doing too.” Dori came to ASU for his master’s degree after graduating from Haifa University, which he describes as “really heavy on composition…the best composers in Israel.”
For Opus II, Dori wrote a work called Shevarim; “in Hebrew it means ‘fragments’ or ‘shards,’ he explains, “but it’s also one of the calls of the shofar [ram’s horn], and really that’s a work based on an old Eastern European Jewish folk tune…it just slowly emerges through this texture.” The piece is a duet for saxophone and bass clarinet, and Dori enjoyed integrating sound effects like tongue smacks, clicks, and breathing through the instruments.
Visit the Phoenix Art Museum this afternoon to hear these new works by Mabingani, Sneider, Dori, and other ASU composers — it’s free with museum admission, and the program promises previously unexplored treasures.
If you go:
When: Sunday, May 11 at 1PM
Where: Phoenix Art Museum
Cost: Free with museum admission
UPDATE (5/11/14 12:47PM): Here’s a live streaming link if you can’t attend the performance: http://ustre.am/1dGp0
The City Manager’s Trial Budget was formally presented on March 25, 2014 and is currently being discussed at more than 20 community budget hearings Citywide. For Council Districts 4 & 7, the community hearing will be held at Singer Hall in the Phoenix Art Museum, tomorrow night at 6 pm.
If You Go
What: Community Budget Hearing – Council Districts 4 & 7
Where: Phoenix Art Museum, Singer Hall, 1625 N. Central Ave.
When: Wednesday, April 16 at 6 p.m.
Residents are invited to attend community budget hearings to discuss the proposed City Manager’s 2014-15 Trial Budget and provide input and ideas. Council members and staff will answer questions and talk about specific district issues. To view a copy of the City Council Report on this topic, please visit phoenix.gov/budget. Questions and comments on the proposed budget can be sent to firstname.lastname@example.org or by calling 602-262-4800 or TTY Relay 602-534-5500.
With regards to the budget, state law requires a 60-day posting period on the City’s website for notice of intent to add new fees or taxes or to increase existing fees or taxes. This is to allow the public ample time to comment on proposals. Given the timeline to approve the budget before the next fiscal year begins, a 60-day posting beginning on April 17 would allow the City Council to act by June 18, the final meeting of the fiscal year. Therefore, the City Council is being asked to authorize posting revenue ideas in order to give the City Council the ability to act on June 18.
One revenue idea of particular note is an increase to parking meter rates from the current rate of $1.50 per hour to a range of $0.50 per hour up to $6 per hour. This idea would allow for use of the City’s new meters to charge variable rates that coincide with changes in demand due to time of day, location, and special events. Combined with expansion of parking meter enforcement hours to be determined by City Council, these changes would result in approximately $1 million – $2 million additional General Fund revenue annually, and would be offset somewhat by costs for additional enforcement needs.
If You Go
Where: Phoenix City Council Chambers, 200 W. Jefferson
When: Wednesday, April 16 at 3 p.m.
DPJ’s Wire series delivers news and information straight from the source without translation.
MAYOR STANTON, IN COOPERATION WITH PHOENIX SISTER CITIES, INC., TO HOST INAUGURAL MAYOR’S INTERNATIONAL GALA
Event to Celebrate Phoenix’s Cultural Diversity and Support Sister Cities Programs
Phoenix Sister Cities, Inc., a nonprofit organization dedicated to creating and enhancing global connections, and Phoenix Mayor Greg Stanton will host the first-ever Mayor’s International Gala on Thursday, April 3, at the Sheraton Phoenix Downtown Hotel, 340 N. Third St. The reception is from 6 to 7 p.m. and dinner from 7 to 9 p.m.
Sponsored by Arizona State University, the event will celebrate the city’s cultural diversity and support Phoenix Sister Cities programs. The evening will feature international cuisine, live entertainment and a silent auction. Stanton also will present the first City of Phoenix Global Citizens Award to a resident for his or her outstanding contributions to international relations.
Proceeds from the event will benefit Phoenix Sister Cities’ programs, which include international business relations and youth exchanges with the city’s 10 sister cities.
“Phoenix Sister Cities is a powerful global network for our city,” said Mayor Greg Stanton.
“It opens the doors for international access, opportunities, and resources for both local businesses and our residents. This event celebrates our diversity and helps ensure that Phoenix Sister Cities can continue to bring our city a rich variety of cultural, economic and educational programs in the future.”
In addition to title sponsor ASU, gala sponsors include CopperPoint Mutual Insurance Company, American President Lines (APL), CityScape Phoenix, Seidberg Law Offices, Phoenix Sky Harbor International Airport, SRP, Arizona Lottery, Snell & Wilmer and Univision.
“We are pleased to invite the community to support Phoenix Sister Cities and this exciting new gala,” said Paula West, executive director, Phoenix Sister Cities and International Relations division director of the City of Phoenix Community & Economic Development Department.
“As with many of the cultural programs we sponsor, this evening will be an opportunity to make personal connections and discover the resources that Phoenix Sister Cities has to offer.”
Business or traditional international attire suggested. Tickets are $100 each and are available via the Phoenix Sister Cities, Inc. website at phoenixsistercities.org or by calling 602-534-3751.
Don’t miss the once-a-year opportunity to peer into the studios of working artists and wander through galleries during Artlink’s Art Detour 26 this weekend. Along with the top art venues of downtown Phoenix and countless pop-up exhibits, dozens of painters, sculptors, photographers, glassblowers, and other creative minds open the doors of their private space to curious visitors.
With the event map in hand, art lovers can explore more than 100 stops on a two-day self-guided tour, many within convenient walking distance of the free Art Detour shuttle route. Docents ride along on two London-style double-decker buses circulating continuously at 20-minute intervals between 11 a.m. and 5 p.m. on Saturday and Sunday, while four information hubs at Phoenix Art Museum, Oasis on Grand, CityScape, and the Arizona Center provide volunteers ready to answer questions.
The adventure begins this evening with a greater-than-usual array of First Friday opportunities, including an open rehearsal by the Phoenix Chorale at Trinity Cathedral. While you’re there, check out Olney Gallery’s Color Color Color! exhibition, featuring work by Kaori Takamura, Sarah Kriehn, and Christopher Jagmin.
Elsewhere, the weekend is filled with live music — along with a multitude of casual performances like Bones of Folk’s Danyul Kostin at Oasis on Grand and the Moonlight Howlers at The Lost Leaf, tonight’s ambitious Viva Phx festival brings 70 groups — including Sir Mix-A-Lot, The Neighbourhood, Black Carl, Tobie Milford, and Pinback — to 14 venues ranging from Crescent Ballroom to the Hotel San Carlos to the Arizona Latino Arts and Cultural Center. The next day, Phoenix Blues Society’s Blues Blast ’14 fills Saturday with tunes from Hans Olson, Leon J’s JukeJoint, the Mike Eldred Trio, and other Rhythm Room stars at Margaret T. Hance Park — show an Art Detour map for a ticket discount.
Once your ears are satiated, fill your eyes with images from Artlink board member Hugo Medina, curator of the Phoenix Phabulous History Mural showing at Walter Studios. “I think it’s important that artists keep creating, pulling forward, which I try to do with my own work as well,” he says. “Phoenix is a phenomenal destination…. We’ve just got to start getting the collectors to start coming out, and that’s the challenge.”
For the month of March, R. Pela Contemporary Art will display Banned at the Herberger, including part of a controversial canceled show originally scheduled last fall at the Herberger Theater Center Art Gallery. The exhibit includes work by Mike Ford, Ronnie Ray Mendez, and Lisa Albinger. “Mike Ford’s photographs, about his relationship with his mother who has Alzheimer’s disease, have such depth,” says curator Robrt Pela. “There’s sadness, and camp, and real emotion. I had to share them.”
He continues, “I think that the art that I’m showing…I want there to be craftsmanship and beauty, but there has to be another element too…some commentary, some politics, some pain. It can’t just be something that’s lovely to look at because that isn’t quite enough.”
Other popular, highly-regarded mainstays anchoring First Friday and Art Detour include Practical Art and monOrchid. Great Arizona Puppet Theater offers edgy, quirky, adults-only Puppet Slams both Friday and Saturday nights.
All weekend, kids can find plenty of fun with finger-paint murals, demonstrations, workshops, and other family-friendly activities at Kids’ Detour, various galleries and studios, and the Blues Blast. Retailers and restaurateurs also add to the experience with extended weekend hours and specials.
If you go:
- Artlink First Friday on March 7
- Viva Phx music festival on March 7
- Phoenix Blues Society’s Blues Blast ’14 on March 8
- Artlink’s Art Detour 26 on March 8-9