Diversity with local relevance is a prime goal for nonprofit arts organizations, and Arizona Opera hopes to pique interest in its forthcoming mariachi opera and expand multicultural outreach with this week’s Hispanic Heritage Festival.
“The whole purpose of the Festival,” says Arizona Opera Education Manager Joshua Borths, “is to bring together the Hispanic audiences who haven’t necessarily been to the opera before, and expose our opera audiences to this incredible world of mariachi music and cultural richness.”
The Festival begins with Monday’s panel discussion on immigration and the arts at Arizona Opera Center, kicking off a week of events leading up to the weekend’s season-opening performances of Cruzar la Cara de la Luna (To Cross the Face of the Moon). Along with moderator Daniel Buckley — a composer, journalist, historian, documentary filmmaker, photographer, and Governor’s Arts Award winner — the roster of illustrious participants includes playwright, journalist, and policy strategist James Garcia and Arizona State University Vice Provost and Professor of History Eduardo Pagán. The third member of the panel is Shoshana Tancer, a highly respected immigration attorney and professor emeritus at Thunderbird School of Global Management. Tancer’s background comprises extensive work in Latin America as well as longtime advocacy for the arts.
“It’s kind of funny because someone said, ‘Yeah, a member of your Opera board should be on that panel,’” says Borths. “I started talking to her [Tancer] and learning more about her life … understanding arts, and understanding all of the complex issues that surround immigration.” He adds, “We’re lucky to have her involved. It’s a really interesting, diverse group of people.”
Tuesday night offers a lecture-demonstration on mariachi history and conventions by retired ASU musicology professor Richard Haefer and his ensemble Mariachi Corazon de Phoenix. The Opera Center transforms itself into a mercado for the Cultural Exchange on October 8, becoming a marketplace. “We’re going to have food trucks, throw open the garage doors,” says Borths. “Mariachi is booked from 6-9, local arts and crafts, and even a guest appearance by Alan Ponce, the runner-up on La Voz, The Voice in Mexico.”
Hundreds of schoolchildren will converge on Symphony Hall Thursday evening to attend the mariachi opera’s final dress rehearsal on Student Night, and Saturday afternoon the Festival concludes its Phoenix events with a showcase of Hispanic art at the Opera Center — “We’ll have some fine art projects and we’ll be showing some Hispanic films,” explains Borths. Opera-goers will also find local mariachi groups playing outside Symphony Hall before each performance, along with the option of informal pre- and post-show lectures.
The Festival’s centerpiece, Cruzar la Cara de la Luna, premiered at Houston Grand Opera in 2010 and continued on to the venerable Théâtre du Châtelet of Paris. The opera was created by director and writer Leonard Foglia and José “Pepe” Martínez, who served as music director for Mariachi Vargas de Tecalitlán from 1975 until his retirement earlier this year. The music reflects Martínez’s signature of rapid violin ricochets and the mariachi styles of ranchera and boleros. Martínez was also influenced by his appreciation for Beethoven and for the 20th-century classical Mexican composer José Pablo Moncayo, who wrote the famously rhythmic Huapango and the opera La mulata de Córdoba.
Martínez and Foglia wove 15 songs into a brisk, emotionally potent 80-minute opera without intermission, using flashbacks to tell a multi-generational story of immigration between Mexico and America. They also use the metaphor of monarch butterfly migration, says Mariachi Vargas violinist José “Pepe” Martínez Perez, Jr., the composer’s son. Speaking through interpreter and assistant manager Ivan Leony, he continues, “They travel for a better situation, a better place, like the butterflies … a lot of them die. That’s like the immigrants … some of them make it; some of them don’t.” Leony adds, “Of course our group has never been — and probably will never be — political. We do it because of the music.”
Arizona Opera’s production of Cruzar la Cara de la Luna features the original cast including Mariachi Vargas, which was founded in 1898 and gained even wider recognition by releasing a popular album with Linda Ronstadt — it’s one of more than 200 recordings from the venerable Mexico City-based ensemble.
“The piece is scored for mariachi and vocalists,” says Arizona Opera General Director Ryan Taylor, “so the band appears onstage and serves as orchestra and chorus, and then the vocalists and dance troupe tell the story in operatic fashion in front of them, so they’re all onstage all the time.”
“There are opera singers who have spent time studying the technique of mariachi vocalists because they have such stamina and such power in their delivery,” Taylor continues, “and there are also mariachi vocalists who have looked to the way that the original musical theater and opera singers performed … without amplification.” He adds, “They’ve really sort of fed off of one another in their development in a cool kind of way.”
Pepe Jr. will lead the upcoming performances somewhat like a concertmaster leading a chamber orchestra, with the trumpets, violins, and rhythm section of Mariachi Vargas arrayed across the back of the stage. Dancers perform downstage with the soloists, including classically trained baritones Octavio Moreno and Brian Shircliffe, mezzo-soprano Cecilia Duarte, soprano Brittany Wheeler, and tenor David Guzman. Spare, minimal sets and lighting suggest vast desert landscapes interspersed with a few indoor scenes.
“Since of course it talks about the undocumented immigrants crossing over,” says Pepe Jr., “it’s very touching and you see a lot of people teary and sad as they leave the performance hall with an open heart, but also fascinated with how the story of an immigrant family could be such a good opera.”
If you go:
Hispanic Heritage Festival (all listed events take place in downtown Phoenix):
- The Borders of Understanding
- Mon., Oct. 6 at 6 p.m. at Arizona Opera Center, 1636 N. Central Ave.
- Three-person panel participates in guided conversation about immigration and the arts
- Mariachi: The Passion and Pulse of a People
- The Cultural Exchange
- Student Night at the Opera
- Connecting the Dots: A Demonstration of Hispanic Art
- Sat., Oct. 11, 12 p.m.-2 p.m. at Arizona Opera Center
- Watch old movies from Mexico and participate in Hispanic art projects and demonstrations
by José “Pepe” Martínez and Leonard Foglia
(sung in Spanish and English with English supertitles)
- Symphony Hall, 75 N. Second St., downtown Phoenix:
- Fri., Oct. 10 at 7:30 p.m.
- Sat., Oct. 11 at 7:30 p.m.
- Sun., Oct. 12 at 2 p.m.
- Tucson Music Hall, 260 S. Church Ave., Tucson
- Sat., Oct. 18 at 7:30 p.m.
- Sun., Oct. 19 at 2 p.m.
- All performances feature:
- Local mariachi performances outside the venue
- Informal lectures before and after each performance
Every year Ballet Arizona gives audiences a family-friendly treat with Ballet Under the Stars, a series of free outdoor performances in Valley parks ending at Steele Indian School Park on Saturday, September 27 at 7PM.
“It’s an extraordinary gift to give Arizona,” says Ballet Arizona Artistic Director Ib Andersen, “that we’re doing this program for free. Nobody does what we do.”
The repertoire includes two classics by American ballet iconoclast George Balanchine, beginning with last season’s Walpurgisnacht from Charles Gounod’s opera Faust. Creating an otherworldly atmosphere, Walpurgisnacht refers to revelry celebrating the souls of the dead and a gathering of witches, although the ballet itself isn’t meant to depict a specific event, “except I would say the last movement,” adds Andersen, “when the women let their hair down and they go sort of bananas.”
Brazilian dancer Nayon Iovino, who’s been with Ballet Arizona since 2012, choreographed the evening’s second work for its performances this past May. “I do think that Nayon has talent,” says Andersen, “and this ballet that he did … is a good one.”
Iovino’s creation uses several pieces of music, ranging from an excerpt from Antonio Vivaldi’s The Four Seasons to more modern tunes. The dancers wear simple costumes of jeans and shirts, without pointe shoes.
Ballet Under the Stars concludes with the 1954 work Western Symphony, featuring well-loved music by American composer Hershy Kay on traditional folk-song themes including “Red River Valley,” “Good Night, Ladies,” and “The Girl I Left Behind Me.” Says Andersen, “It’s cowboys and cowgirls, you know?”
Enthusiastically received by audiences last spring at the Orpheum Theatre, Western Symphony uses the natural landscape as its entirely appropriate backdrop this weekend, showcasing nearly 40 performers. “It’s the biggest ballet we’ve ever done in terms of numbers,” explains Andersen. “We’ve had ballets where we had more people on stage, but not all of them dancing at the same time.”
Bring blankets or lawn chairs, friends, and family to enjoy Ballet Arizona’s invaluable gift to the Valley.
If you go:
- All remaining Ballet Under the Stars performances begin at 7PM
- Fri., Sep. 26 at Estrella Lakeside Amphitheater in Goodyear
- Sat., Sep. 27 at Steele Indian School Park in Phoenix — UPDATE: this performance has been cancelled due to a forecast of inclement weather.
- Ballet Arizona’s Open House is Sat., Oct. 5 from 12PM-4PM
- at 2835 E. Washington St., Phoenix
- tour the Ballet AZ studios, meet faculty, enter drawings for ticket giveaways, or try free classes in ballet, jazz and modern dance, yoga and Zumba
- Find all the details on Ballet AZ’s upcoming season, including:
- Swan Lake (Oct. 30-Nov. 2, 2014 with The Phoenix Symphony at Symphony Hall)
- Dancers’ Choice (Nov. 15, 2015 at Ballet AZ’s Dorrance Theatre)
- The Nutcracker Festival (Nov. 16, 2015 at Ballet AZ’s Dorrance Theatre)
- The Nutcracker (Dec. 12-28, 2014 with The Phoenix Symphony at Symphony Hall)
- Napoli (Feb. 12-15, 2015 with The Phoenix Symphony at Symphony Hall)
- Today’s Masters (Mar. 26-29, 2015 at the Orpheum Theatre)
- All Balanchine (Apr. 30-May 3, 2015 at Symphony Hall)
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ARIZONA SUPER BOWL HOST COMMITTEE SIGNS LEASE AT RENAISSANCE SQUARE
Hines, the international real estate firm, announced today that the Arizona Super Bowl Host Committee has signed a 7,535-square-foot lease in Renaissance Square, a two-building, 965,000-square-foot Class A office complex located in the hub of downtown Phoenix.
Super Bowl XLIX is scheduled to be played at University of Phoenix Stadium on February 1, 2015, marking Arizona’s second Super Bowl in seven years.
Hines Managing Director Chris Anderson said, “We are honored that One Renaissance Square is the official headquarters building of the Arizona Super Bowl Host Committee. They are an outstanding addition to an already world-class tenant roster.”
“Renaissance Square is one of the premier office buildings in Phoenix, and we are thrilled to call it our new home for the next year. We look forward to hosting the world’s biggest single-day sporting event in 2015, all the surrounding activities, and the 2015 Pro Bowl,” said Arizona Super Bowl Host Committee Chairman David Rousseau.
One and Two Renaissance Square were designed by the architecture firm Emery, Roth & Sons, Inc., and were completed in 1987 and 1989 respectively. One Renaissance Square is 25-stories tall, and Two Renaissance Square contains 27 stories. The buildings are clad in red granite, connected by a pedestrian sky bridge, and boast numerous on-site amenities.
Renaissance Square is leased to large corporate tenants, such as Bryan Cave LLP, Ernst & Young and Quarles & Brady LLP, as well as many GSA tenants and prominentlocal businesses.
The Arizona Super Bowl Host Committee was represented in lease negotiations by Brad Anderson of CBRE. Jerry Noble of Cushman & Wakefield represented Hines, the building’s owner and property manager.
Photo courtesy of Hines.
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EDISON MIDTOWN BRINGS MODERN URBAN LIVING TO PHOENIX’S CENTRAL CORRIDOR
$22M midrise building is first major downtown project slated for key neighborhood since 2008
Midtown Phoenix is getting a hip new neighbor. Scottsdale-based Deco Communities has closed on a key parcel of land that will be transformed into Edison Midtown, a new urban contemporary condominium in the heart of Phoenix’s urban core. Located at 2346 N. Central Ave. the address says it all, Edison is central to Midtown’s buzzing scene filled with food, arts, culture and history Demolition of the vacant office building on the site will occur in the summer 2014 and the $22M redevelopment is slated for a 2016 completion date. Developed exclusively by Deco Communities, Edison Midtown will be the first major residential development announced for the Central Corridor since 2008.
“The Edison Midtown project taps into the soul of the city, utilizing the unique identity of the neighborhood to create an authentically local living space that caters to the tech-savvy, community-oriented Gen Y consumer that lives and breathes the urban lifestyle,” said Rob Lyles, partner for Deco Communities. “Our outstanding team of architects and designers has worked diligently to curate a thoughtful living experience that is true to the virtues of Phoenix’s downtown dwellers,” he said. “ Downtown Phoenix is experiencing a surge in housing demand spurred by the recent $4.5 billion investment by the public and private structure in infrastructure, transportation, education and tourism. Deco is excited to have the chance to provide housing that both starts to address this demand and does so with a design that is true to the modern Phoenix aesthetic.”
Fueled by imagination and innovation, the Edison Midtown will include 80 unique residential units, many with stunning Instagram-ready views of the horizon and city lights. The city’s best indie coffee shops, bars, live music venues, funky boutiques and museums are all just steps away. The units will range from approximately 800 to 1,350- square feet. Each residence will enjoy contemporary kitchens with opening shelving and repurposed countertops, gas appliances, 10 foot ceilings, steam showers, spacious walk-in closets, wood flooring and large balconies perfect for entertaining and soaking in the extraordinary city views. Pricing will start in the high $200’s.
With a mix of modern amenities and charmingly retro design inspirations, Edison Midtown speaks to the heart of the Gen Y urbanite. Brought to life by the award-winning Los Angeles architecture firm Harley Ellis Devereaux, lead architect Daniel Gehman drew inspiration from the past and present of the iconic Midtown neighborhood, its Willo district roots, and its urban dwellers. As a result, the building is designed to be a confluence of community, the kind of place that fosters socializing and sharing and integrates seamlessly with the vibrant community around it. With a pulse exactly where trendy meets classic meets cool, Phoenix-based interior design firm Private Label will style the interiors.
Drawing from inspiration from illustrious hangouts such as the Ace Hotel brand found Palm Springs, Portland, London and LA, the contemporary building is styled with a hat tip to Frank Lloyd Wright’s early designs and rises 5 stories above a two-level underground parking structure offering 145 private parking spaces. With the project’s close proximity to the Light Rail and just steps from the Central/Encanto Light Rail station, Edison Midtown residents can take advantage of Phoenix’s best urban transportation system or bike the city with ease.
Designed to foster a sense communal living, Edison Midtown will be a hub of activity with an array of social amenities including a garden-inspired courtyard pool and spa, a “cross-fit” style fitness center with yoga, secure bike storage, Wi-Fi common areas, electric car charging stations and more. The ultimate urban sanctuary, the Edison Midtown will afford residents a superior work, live, play lifestyle at the center of the thriving city.
At the heart of Midtown Phoenix, Edison Midtown residents will be just steps away from downtown’s epicenter boasting a mix of premier nightlife, music, shopping, cultural destinations, sporting events and hip restaurant options. Nearby destinations include the Phoenix Art Museum, Pane Bianco, Lux Coffee, Hula’s Modern Tiki, US Airways Center, Crescent Ballroom, Vovomeena, the Phoenix Symphony and more.
Reservations for Edison Midtown will open in Summer 2014. To get on the list, visit www.LiveatEdison.com or call 480.850.2026.
Image rendering courtesy of Deco Communities.
Don’t miss the once-a-year opportunity to peer into the studios of working artists and wander through galleries during Artlink’s Art Detour 26 this weekend. Along with the top art venues of downtown Phoenix and countless pop-up exhibits, dozens of painters, sculptors, photographers, glassblowers, and other creative minds open the doors of their private space to curious visitors.
With the event map in hand, art lovers can explore more than 100 stops on a two-day self-guided tour, many within convenient walking distance of the free Art Detour shuttle route. Docents ride along on two London-style double-decker buses circulating continuously at 20-minute intervals between 11 a.m. and 5 p.m. on Saturday and Sunday, while four information hubs at Phoenix Art Museum, Oasis on Grand, CityScape, and the Arizona Center provide volunteers ready to answer questions.
The adventure begins this evening with a greater-than-usual array of First Friday opportunities, including an open rehearsal by the Phoenix Chorale at Trinity Cathedral. While you’re there, check out Olney Gallery’s Color Color Color! exhibition, featuring work by Kaori Takamura, Sarah Kriehn, and Christopher Jagmin.
Elsewhere, the weekend is filled with live music — along with a multitude of casual performances like Bones of Folk’s Danyul Kostin at Oasis on Grand and the Moonlight Howlers at The Lost Leaf, tonight’s ambitious Viva Phx festival brings 70 groups — including Sir Mix-A-Lot, The Neighbourhood, Black Carl, Tobie Milford, and Pinback — to 14 venues ranging from Crescent Ballroom to the Hotel San Carlos to the Arizona Latino Arts and Cultural Center. The next day, Phoenix Blues Society’s Blues Blast ’14 fills Saturday with tunes from Hans Olson, Leon J’s JukeJoint, the Mike Eldred Trio, and other Rhythm Room stars at Margaret T. Hance Park — show an Art Detour map for a ticket discount.
Once your ears are satiated, fill your eyes with images from Artlink board member Hugo Medina, curator of the Phoenix Phabulous History Mural showing at Walter Studios. “I think it’s important that artists keep creating, pulling forward, which I try to do with my own work as well,” he says. “Phoenix is a phenomenal destination…. We’ve just got to start getting the collectors to start coming out, and that’s the challenge.”
For the month of March, R. Pela Contemporary Art will display Banned at the Herberger, including part of a controversial canceled show originally scheduled last fall at the Herberger Theater Center Art Gallery. The exhibit includes work by Mike Ford, Ronnie Ray Mendez, and Lisa Albinger. “Mike Ford’s photographs, about his relationship with his mother who has Alzheimer’s disease, have such depth,” says curator Robrt Pela. “There’s sadness, and camp, and real emotion. I had to share them.”
He continues, “I think that the art that I’m showing…I want there to be craftsmanship and beauty, but there has to be another element too…some commentary, some politics, some pain. It can’t just be something that’s lovely to look at because that isn’t quite enough.”
Other popular, highly-regarded mainstays anchoring First Friday and Art Detour include Practical Art and monOrchid. Great Arizona Puppet Theater offers edgy, quirky, adults-only Puppet Slams both Friday and Saturday nights.
All weekend, kids can find plenty of fun with finger-paint murals, demonstrations, workshops, and other family-friendly activities at Kids’ Detour, various galleries and studios, and the Blues Blast. Retailers and restaurateurs also add to the experience with extended weekend hours and specials.
If you go:
- Artlink First Friday on March 7
- Viva Phx music festival on March 7
- Phoenix Blues Society’s Blues Blast ’14 on March 8
- Artlink’s Art Detour 26 on March 8-9