Music protesting war and violence takes many forms — from 20th century songs like Metallica’s hit “One” and Sting’s “Russians” to earlier expressions by Bob Dylan, Peter Paul and Mary, and Joan Baez. And long before John Lennon and Pete Seeger made their mark, classical composers were objecting to conflict; for example, Benjamin Britten with his War Requiem and Krzysztof Penderecki with his Threnody for the Victims of Hiroshima.
English composer, teacher, writer, and conductor Ralph Vaughan Williams brought his own style of protest and commentary to his interpretation of the Roman Catholic Mass, Dona nobis pacem (“Give us peace”). Written in 1936 and 1937, the cantata uses text from the Bible, a parliamentary speech by British statesman John Bright, and verse by Walt Whitman.
“Dona nobis pacem was written in the dark days of the late 1930s as another European war loomed,” explains MusicaNova Music Director Warren Cohen. “Although the last section ends hopefully, the quiet ending suggests that perhaps he [Vaughan Williams] saw that things were not so hopeful in 1936.”
The six-part work includes martial drums and bugles followed by the mourning of a movement titled “Dirge for Two Veterans,” and through it all a solo soprano voice rises in entreaty. “This plea for peace is emotionally direct…[and] can be seen as a plea for sanity,” says Cohen.
This evening, he leads MusicaNova Orchestra in a performance of Dona nobis pacem and other vocal works in a program called And Open to All: Opera, Oratorio, and Song at Central United Methodist Church. The combined choirs of Arizona School for the Arts and Central United Methodist Church join the orchestra (full disclosure: I’m one of the musicians).
Soloists include singers from a newly-formed Valley organization called Opera Revolution, an offshoot of the music advocacy group Classical Revolution Phoenix, which offers casual, free performances in non-traditional venues as well as the annual Classical Revolution Phoestival. The performers include Karen Hendricks Crawford, Daniel Kurek, Susan Hurley, Andrew Briggs, Joyce Yin, John Cleveland, and Robert Altizer.
“This concert is an exploration of diversity within vocal music,” says Cohen, who has a very personal interest in song since he’s married to a soprano. He chose not only the large, introspective work by Ralph Vaughan Williams but also an assortment of art songs from the late 19th and early 20th centuries as well as a classic operatic scene.
“The songs represent five separate and distinct visions of the subject of desire and love,” he continues, describing works by Richard Strauss, Hugo Wolf, and Aldo Finzi. “From the expression of lost love in ‘Allerseelen (All Souls’ Eve)’ through the psychopathic manipulation of ‘Der Rattenfänger (The Rat-Catcher)’ – based on the Pied Piper of Hamelin — to the glow of ‘Morgen (Tomorrow),’ the anxious puppy love of ‘Cäcilie,’ and the longing of ‘Catharine,’ each song represents a radically different take on the subject.”
The program’s operatic excerpt is an ensemble scene from Mozart’s Don Giovanni, set at a party hosted by Giovanni himself, who hopes to seduce the country girl Zerlina in the course of the evening. They’re joined by Zerlina’s fiancé, Giovanni’s servant, and three masked strangers who secretly seek revenge against the seducer.
Musically, the scene features multiple voices and three instrumental ensembles, and at one point three different dances — a waltz, a quadrille, and a minuet — overlap in carefully engineered chaos “as Mozart anticipates the experiments of Charles Ives by 125 years,” says Cohen, whose adventurous programming has won him an award from the American Society of Composers, Authors, and Publishers (ASCAP) and the American Symphony Orchestra League (ASOL).
“[It’s] a tour-de-force of complexity,” he concludes. “The seven voices appear in the guise of soloist, duet and trio partners, and ensembles, sometimes tripping over each other as the various operatic conventions run almost simultaneously.”
If you go:
When: Thursday, April 25, 7:30PM
Where: Central United Methodist Church sanctuary, 1875 N. Central Ave.
DPJ’s Wire series delivers news and information straight from the source without translation.
Collectors Invited to an Intimate Artist Meet & Greet Tour
Crista Cloutier to Host Tour of Three Downtown Phoenix Galleries
Artlink’s bi-monthly Third Friday Collectors Tour returns Friday, March 15, from 6-9 p.m. These exclusive guided tours visit select exhibitions/artist studios in downtown Phoenix, with light refreshments at each location. Guests enjoy a private viewing as well as the opportunity to meet the curators and artist(s) one-on-one and learn more about their processes and vision.
Galleries are invited to submit their shows to be included on the tour. The Guest Guides select the exhibitions featured.
Crista Cloutier, an international curator, appraiser, arts writer, and artist selected this month’s exhibitions. Her most recent projects include curating the Kiki Smith/Valerie Hammond exhibit “Streaming Spirits” currently making its world tour, and developing The Working Artist, an online master class for creating a successful art career.
“I was thrilled to be asked to curate the Third Friday Collectors Tour, but humbled when I began visiting the galleries and seeing the breadth of talent that Phoenix offers. Narrowing it to three venues was a difficult decision,” said Crista. “I am interested in conversations about what it means to be a working artist and in showing people what the other side of the art business looks like: the hard work, big decisions, and dedication that it entails…. I look forward to sharing this ‘glimpse behind the curtain’ with participants on the 15th.”
WHAT: Artlink’s Third Friday Collectors Tour
WHEN: Friday, March 15
TIME: 6 – 9 p.m.
WHERE: Round-trip tour from Phoenix Art Museum, 1625 N. Central Ave.
Barry Goldstein, Works on Paper
The Coe House Gallery
365 N. 4th Ave.
Curated by Hugo Medina
This exhibition is the first in the new Coe House Gallery, a 19th century building in the Historic Roosevelt District. Curated by local painter, Hugo Medina, Goldstein’s urban landscapes transcend the mundane day-to-day through rich colors and poetic imagery. Goldstein is an internationally known artist who was born and raised in Brooklyn, and has made Phoenix his creative home for the last decade.
The Joe and Jan Show
R Pela Contemporary Art
335 W. McDowell Rd.
Curated by Robrt Pela
“The Joe and Jan Show” is a group exhibition of artwork in homage to Sheriff Joe Arpaio and Governor Jan Brewer. Featured artists include Eric Cox, Jeff Falk, Annie Lopez, Peter Bugg, Cuban painter Chary Castro and French comic artist Vincent LaRue. Curated by Robrt Pela.
215 E. Grant St.
Curated by John Reyes
Bentley Gallery is a uniquely beautiful space in the warehouse district of downtown Phoenix. Neo Chroma is a contemporary survey of the use of brilliant color in abstract painting.
The galleries/artist spaces will provide refreshments, and participants will have a private viewing of the work and the opportunity to meet the curators and artist(s) one-on-one and learn more about their processes and vision.
Tickets are $35 each, two for $60. Seating is limited. To reserve your space please go to Eventbrite.
About Artlink: Artlink, Inc. is a 501(c)(3) nonprofit organization dedicated to linking artists, business and the public to better understand, appreciate and promote a thriving arts community in Central Phoenix. Artlink promotes a variety of community-based art events happening throughout the year, including First Fridays, the country’s largest self-guided gallery tour, and also operates two downtown galleries at Heritage & Science Park and the A.E. England Building. Both gallery spaces are committed to showcasing the talents of new and emerging local artists. Ongoing community projects include, the promotion of the First Friday Art Walk and Third Friday Collectors Tour, annual Juried Exhibition, and the annual Artlink Art Detour. For more information, visit: artlinkphoenix.com. Artlink’s year-round activities are supported by Phoenix Art Museum, Dunn Transportation, Snell & Wilmer, Arizona Commission on the Arts, Phoenix Community Alliance, The Torosian Foundation, Downtown Voices Coalition, Grand Avenue Merchants Association, Roosevelt Row CDC, Phoenix Center for the Arts, Obliq Art, Urban Affair and Invexi Web Development.
Before you hit the sidewalks for the 25th anniversary Art Detour this weekend, we’re revisiting artist, writer, and advocate, Susan Copeland’s overview of the impact the arts have had in our downtown – originally published in the Nov/Dec 2011 edition of Downtown Phoenix Journal Magazine. Her article provides extra background for appreciating Artlink’s “Detour in Time” exhibit at the A.E. England gallery, open this weekend for First Friday, and Saturday and Sunday for Art Detour.
What is it about Downtown Phoenix that interests a college student, a developer, a cyclist, a chef, an artist or an engineer?
It’s the energy on the streets and the buzz in the cafes. It exists in every coffee-house conversation, every stroll down a newly shaded street, at any art opening, and in the first bite of sushi. It’s the young couple with the stroller, baby and fuzzy dog walking after dark. It’s the lunchtime food truck queues, the thunder of balls in the bowling alley, and the smell of fresh peaches at the market. Engaged people are creating new life in downtown Phoenix and the evidence can be seen, heard, felt and tasted.
This buzz is firmly rooted in the creative community that has worked for many years to bring downtown to life. It is evident in the history of the arts-led transformation of downtown, and how it has fueled revitalization and overcome the obstacles that challenge the continuation of this transformation.
Early Urban Arts Pioneers
The roots of this transformation can be traced through the history of Beatrice Moore and Tony Zahn, who came to Phoenix sight-unseen in 1986. They were drawn by the optimism behind the city’s name, the desert and the non-hip art scene. They created the very first Art Detour, an annual tour of artists’ studios with a small group of 20 art spaces. “It was a way for artists to show their own work independent from galleries. It was an educational event for the public,” Moore said.
“[Art Detour] was a way for artists to show their own work independent from galleries.”
– Beatrice Moore, GAMA
Moore and Zahn watched gentrification take place, often spurred by the unwitting ability of artists to make a place cool. Their first artist studio was in an old brick warehouse on the site where U.S. Airways Arena now stands. A new jail occupies the site of their second studio. Recognizing that a renter’s fate is determined by his landlord, they bought their first building.
“Artists need to get ownership,” Moore said. “Young artists are not planning for their future. New construction is often not affordable for studio space.”
Their purchase and renovation of historic buildings along Grand Avenue not only created affordable artist studios, but also helped to transform a formerly decrepit downtown stretch of boarded-up buildings into a revitalized corridor that draws thousands of people to art openings, studios, a growing number of bars and restaurants and the annual Grand Avenue Festival.
“It is a diverse and younger crowd, and has introduced a lot of new folks to the museum.”
– Jim Ballinger, Phoenix Art Museum
A Detour Takes Hold of Fridays
The success of the yearly Art Detour led another group of artists to start a monthly tour called Phoenix Arts After Hours. This gave birth to the nationally lauded First Friday, a self-guided tour of art spaces and galleries held on the first Friday of every month. It has become the core of the downtown arts scene.
The Phoenix Art Museum has participated in Artlink’s First Friday art walk on and off since its inception. “We’ve had a very positive connection with First Friday,” said museum director Jim Ballinger. “We’ve had anywhere from 800 to 2,000 people come through the museum on a First Friday evening. It is a diverse and younger crowd, and has introduced a lot of new folks to the museum.”
Would there be as many new restaurants, condos, galleries and hotels downtown without the presence of 10,000-plus people wandering around downtown on First Friday? The presence of the creative community has brought life, vitality and identity to downtown.
“The easiest way to find a community in Phoenix is to participate, get involved.”
– Cindy Dach, Roosevelt Row CDC
The Row Takes Shape
When Cindy Dach and Greg Esser moved here from Denver, they struggled to find a community. Eager to renovate and without any appealing living spaces available, they began an odyssey. Fifteen years, several buildings and many projects later they helped make Roosevelt Street a cornerstone of the downtown arts community. “The easiest way to find a community in Phoenix is to participate, get involved,” says Dach. That they have. They formed the successful eyelounge and 515 artists’ collectives, MADE Art Boutique, Kitchen Street Studio and the Roosevelt Row Community Development Corporation (CDC).
Wayne Rainey, Kimber Lanning and Dach/Esser all bought buildings and created art spaces within six months of each other. The prices were low enough at the time to make the spaces affordable. Dach says that artists are natural problem solvers. “We looked at the closed up buildings and dark spaces and said, ‘Yeah, this sucks. How can we fix it?’”
“It’s the small things that form the connective tissue that makes the big things work.”
– Ed Lebow, Phoenix Public Art Director
It is this type of creativity, community involvement, forward thinking and innovation that many people believe will move Phoenix forward. Ed Lebow, Public Art Director for the City of Phoenix Office of Arts and Culture, says, “It’s the small things that form the connective tissue that makes the big things work.”
Small ideas yielding big results are creating an organic identity for downtown today. The little farmers’ market that grew into a grocery store, coffee house, wine bar and community gathering space is another perfect example.
Chicago transplant Cindy Gentry fell in love with the historic Santa Fe Depot in the warehouse district near Jackson Street. Her goals were to create easy access to healthy food for low-income residents, help keep farmers on their land and create jobs. “Our focus was on low income people but we didn’t want to do it in a vacuum,” Gentry said. “We wanted to create a place where people from all backgrounds could come together.”
She was drawn to downtown because “the creative energy of the city lies here. A connection to the arts community was a logical choice.” Although the Santa Fe Depot market never happened, Gentry [as executive director of Community Food Connections] did create the Phoenix Public Market, a grocery store and a thriving farmers market, with a strong emphasis on organic produce and handmade crafts, that anchors Saturday mornings downtown. Says Gentry, “The creative energy that is here in Phoenix is looking for places to get out.”
“The creative energy that is here in Phoenix is looking for places to get out.”
– Cindy Gentry, Community Food Connections
That creative energy is apparent in the art-centric downtown development of developer and indie rocker Tim Sprague, of Habitat Metro. Two of his current projects are the adaptive reuse of an old hotel, the Oasis, to create affordable living and work spaces for artists, and, most recently, a remodeling of the Lexington hotel that centers around arts and culture.
“Humans have talent that we should recognize and celebrate,” Sprague said. “Performing arts, music, media, theatre – they are the spice of life. Art has the ability to bring people together to initiate discussion. It’s an automatic switch for turning on tolerance and bringing together diverse ideas.”
“The organic arts scene that developed brought focus to the downtown,” he said. “It provided the cushion and continuity for things to keep happening. It brought traffic and people downtown that would not have come. It made downtown relevant.”
This ability of the artistic community to create relevance and continuity was evident to George Kritikos and his wife Stacy, who left Chicago to buy and take over the Athenian Grill, a Greek restaurant on Central just south of Roosevelt. Kritikos believes that the arts community is good for the area. Historically, he watched how the arts helped in the transformation of downtown Chicago from a scary dark place. “(Mayor Richard) Daly cleaned up the streets. There was artwork, painted cows, landscaping, lighting. All of it together helped take away the scary aspect of the streets. Then coffee shops and restaurants starting popping up.”
“The organic arts scene that developed brought focus to the downtown. It provided the cushion and continuity for things to keep happening. It brought traffic and people downtown that would not have come. It made downtown relevant.”
– Tim Sprague, Habitat Metro
Filling the Gaps
The biggest stumbling block to this transformation in Phoenix may be the empty lots that divide all of the cool, hip things from each other. When you look down First and Third streets at night, south of Roosevelt, it is dark and scary. People are afraid to walk north from the Sheraton and Alta Lofts.
But the creative community is working on a solution for that too.
Many temporary uses for empty lots have been proposed, but shot down for fear of them becoming too popular and permanent – leading to a potential for public outcry when the temporary project has to make way for a permanent structure. Nevertheless, two artistic uses have recently been implemented.
On Roosevelt near Fourth Street, the Roosevelt Row CDC, has cleaned up, dust-proofed and put temporary lighting in an empty lot to create the First and Third Friday A.R.T.S. (Adaptive Reuse Temporary Spaces) Markets, giving small local vendors the opportunity to become part of the popular art walks. Small booths dot the lot twice each month selling everything from ice cream to hand-crafted wood items.
A few blocks southeast of the A.R.T.S. Market is Valley of the Sunflowers, another Roosevelt Row temporary adaptive reuse project, which broke ground in September, and will feature an entire block of sunflowers. It is the brainchild of Kenny Barrett, downtown resident and newly appointed project director for Roosevelt Row’s A.R.T.S. program. With grant funding from Intel and volunteer support from the community, the project will produce sunflower oil that the students at the adjacent BioScience High School will help harvest. They will then use the oil to run the biofuel car that they are creating.
As little as it is, the Valley of Sunflowers project may just be one of the most important projects in downtown Phoenix in the past 10 years. It has brought together young people, artists, engineers, developers and the city to create a project that is sustainable, creative and breaks the boundaries of what it is possible to accomplish in downtown Phoenix. Most importantly, it removes the barrier of fear and apathy toward addressing the problem of the empty lots.
It is easy to see why a college student, a developer, a cyclist, a chef, an artist and an engineer would be drawn to a place like Phoenix. The vibrancy and buzz that created places like Paris, Chicago and Portland are in their infancy here. Phoenix will not recreate or become any of those places. It is creating its own identity. It is growing organically because people want this sustainable lifestyle. More and more people are choosing an authentic experience: enjoying coffee and a crepe at JoBot; shopping for handmade one-of-a-kind items at MADE; finding organic locally grown produce at the Public Market; mingling with neighbors at Faces, Places and Spaces amidst the art at Bragg’s Pie Factory; or lingering over a late night imported beer at Carly’s. If none of these places and events are familiar, then you are missing out on the core of the new Phoenix.
The 13th Annual Arizona Strong Beer Festival returns to Steele Indian School Park tomorrow, Saturday, February 16. The best beer festival in the Southwest called Central Phoenix home for the last four years. For at least a little while, the Beer Culture center of gravity moves out of the East Valley and we all get a glimpse of what life might be like with a few more breweries in the central city.
Beer is ordinarily the star at the fest, with each local and regional brewery bringing something to showcase the kick-off of Arizona Beer Week (Feb 16- 23). This year, however, the top story is the number of new breweries pouring this year. Eight Arizona breweries will be making their Strong Beer Fest debut. Their struggles and successes provide insight as to the future of beer in Phoenix between 7th Street and 7th Avenue.
Cosmic Beer out of Flagstaff began as a distribution company that contract brewed with the now defunct Mogollon Brewing Company. It has been recently reported that Cosmic lost its bid to buy Mogollon’s brewing equipment. If this is true, Cosmic will have to find another brewery to brew its line of beer. Saturday may be our first chance to find out the answers to both the Earthly and Cosmic concerns.
Flagstaff’s newest brewery, Wanderlust Brewing is headed by Nathan Friedman. More to the point, it is literally a one man operation. Wanderlust represents one of the two nanobreweries pouring at the festival. Nanobreweries have brewhouses that are generally under 3 barrels. By way of comparison, Four Peaks has a 40 barrel system in its 8th Street brewery and a 60 barrel system in its Wilson Street facility. There are some that believe that Phoenix could support dozens of nanobreweries, however most of the nano-operations are not sustainable in the long haul. Friedman compares his brewery to a journey and so it seems likely that he and the brewery may need to evolve as his opportunities open. Alternatively, it seems, Friedman is happy and appreciative about the moment. That’s something that many downtown business owners share. Zen from the High Country.
It was quite a shock to some when Desert Eagle Brewing announced that it would set up shop in downtown Mesa. It’s already considered a major driver in Mesa’s nightlife revitalization plan. Believe it or not, there were two other breweries looking to locate in Mesa. Mesa seems to have plenty of right-sized and right-priced buildings to support smaller production breweries. Something that Phoenix should consider when the wrecking ball cometh.
Tucson’s Dragoon Brewing just missed last year’s festival. Both Tucson and Flagstaff have seen enormous growth in the last two years. I’m really looking forward to tasting the Mesquite Smoked Porter. This ex-homebrewer team has already produced Tucson’s favorite IPA and many of their offerings make it to Phoenix.
Fate Brewing may very well provide a blueprint for a smaller brewpub that could fit right in on Roosevelt Row or on Central. The Scottsdale brewpub is small by design. A woodfire pizza oven keeps everyone fed and all beer brewed is sold on premise. The godfather of this “wee humble brewpub” concept is Tom Hennessy of Colorado Boy Brewing in Ridgway Colorado. Hennessy started two of his own GABF award winning breweries and has mentored a total of three Arizona start-ups. Ideally, an existing restaurant or bar is purchased and then a brewery is shoehorned in. This strategy allows a brewery to start-up with less cost than a traditional brewery. Fate founder, Steve McFate built the restaurant on Shea (off Scottsdale Road) from scratch. His higher end concept has attracted that neighborhood’s crowd and attracts the Valley’s Beer Geek contingent.
Tamara and Steve Morken of Pine’s THAT Brewery also learned brewing operations from Hennessy. The Rim Country brewery distributes kegs here in the Valley, which runs counter to the sell-beer-across-the-bar-only strategy. It will be interesting to see if Mischief Brewing (the third “wee humble”) will follow start-up plan to the letter. Mischief is still in the building phase, but plans on locating in Peoria.
Though not a disciple of the “wee humble” school, OHSO nanoBrewery certainly has some of the elements that a downtown Phoenix brewery would need to thrive. It has a great selection of beers, interesting food and a comfortable indoor-outdoor feel. Even without the brewery, the business has the chops to remain a vital part of its Arcadia neighborhood. OHSO is currently making small batches of beer on what might normally be a large brewery’s pilot system. Generally adhereing to the no-distribution-sell-it-all-on-site mantra, an OHSO-like enterprise could very well work in the 7th Avenue and McDowell neighborhood that borders Willo and Encanto-Palmcroft
North Mountain Brewing may not be able to bring their beer to the dance this time around as they only recently became federally and state licensed. You can be sure that Brewmaster Robert Berkner will be at the festival, so it will be a good time to ask him how his Sunnyslope neighborhood brewery is shaping up. Berkner took great aims to find a neighborhood that he could support. Let’s see if Sunnyslope is ready to give back.
One other new brewery, Freak’N Brewing Company, is not yet licensed but will be represented by a beer that they collaborated on with Sun Up Brewing in the Central Corridor. Double Black IPA contains twice the hops of Sun Up’s Trooper IPA and just enough roasted malt to darken the color. Freak’N Brewery is currenly awaiting approval for its Peoria brewery.
While we are not talking about a large Arizona brewery moving into the stadium district or Gordon Biersch taking residence in CityScape this year, there are a few encouraging signposts on the horizon. Arizona’s thirst for beer is being met ably. The Strong Beer Fest’s freshman class gives a beer fan some hope for a downtown brewery in the future.
DPJ’s Wire series delivers news and information straight from the source without translation.
There are just a few seats left! Reserve your spot on the Third Friday Collectors Tour on January 18!
Artlink’s Third Friday Collectors Tour returns on Friday, January 18, and includes three of downtown Phoenix’s most acclaimed galleries.
The participants will have a private viewing and the opportunity to meet the artist(s) and curators one-on-one, and learn more about their processes and vision.
The exclusive guided trolley tour will include:
- Bentley Gallery – “Mark Pomilio / Jeremy Thomas,” a delightful exploration of nature’s geometry, with Curator John Reyes and Mark Pomilio.
- monOrchid – Introducing new Curator Justin Germain with artist Linda Ingraham’s unique project “Off the Beaten Path: A Departure From The Norm,” and Matt Dougan’s personal retrospective “As the Crow Flies.”
- Willo North Gallery – “Youth: New Work by Bob Adams” with Bob explaining his inspiration to re-enter the world of solo gallery shows after two decades.
The tour will be hosted by Robrt Pela, Willo North curator and arts critic for Phoenix New Times, whose NPR “Morning Edition” radio essays are occasionally themselves the talk of the town. Pela will provide context on the contemporary art scene in downtown Phoenix and background on the artist spaces and galleries on the tour.
Event: Artlink’s Third Friday Collectors Tour
Date: Friday, January 18
Time: 6 to 9 p.m.
Where: Phoenix Art Museum, 1625 N. Central Ave. Phoenix. The trolley will depart promptly at 6 p.m.
Tickets: $35 per person, $50 per couple. Seating is limited. Light refreshments provided. To reserve your seats please visit http://collectorstourphoenix.eventbrite.com/.
About the Host:
Robrt Pela is known primarily as an arts critic for Phoenix New Times, where he has written a weekly columnthese past 22 years. His radio essays air each week on National Public Radio’s “Morning Edition,” and he’s worked as a writer and editor for national and local magazines including Psychology Today, The Advocate, Phoenix Home and Garden, and Men’s Fitness. His last published book was Filthy, a biography of the film director John Waters.
As a curator, Pela presents a new exhibit each month at Willo North Gallery in Phoenix. Last year he curated shows by, among others, Annie Lopez, Jeff Falk, Jason Hill, Janet de Berge Lange, Paul Wilson, Carolyn Lavender, and Bob Adams. He and his spouse, Todd Grossman, divide their time among their homes in Phoenix, Arizona; Niles, Ohio; and Bargemon, France.