On Saturday, January 31, Downtown ASU is inviting everyone to their Night of the Open Door with events and open houses scheduled throughout the downtown Phoenix campus. From 4:00 p.m. to 8:00 p.m downtown visitors have the opportunity to step across nearly two dozen welcome mats and experience what’s happening in science, medicine, law, public service and more.
With two dozen don’t miss opportunities, we’ve highlighted three that will showcase the way in which the ASU is integrating into our urban core.
Visit this artful addition to the downtown ASU campus. Located just south of the urban core in a converted warehouse (formerly known as Levine Machine). Check out the cool space and peek into the vibrant, creative studio spaces of ASU graduate students. The Warehouse District is in the midst of a renaissance and this space is one of the jewels in the district’s crown.
Students and staff will lead tours of the Cronkite School, a 225,000-square-foot, state-of-the-art media complex, which is home to Arizona PBS and the Cronkite’s competitive professional programs in broadcast, multimedia and sports journalism, entrepreneurship, new media and public relations.
Tours will begin in the Cronkite School’s first floor lobby at 4:15, 5:15, 6:15, and 7:15 p.m.
Design your own paper football and kick field goals! Join University Academic Success Programs on the first floor of the University Center in Suite 171. Using force and angles to make field goals from different distances and positions. Can you kick the game winner?
And for good measure…
Arizona Center for Law and Society Building Showcase
Saturday, January 31, 2015 – 4:00pm to 8:00pm
The Sandra Day O’Connor College of Law invites you to view renderings of the new Arizona Center for Law and Society set to open Summer 2016.
These activities are just a sampling of everything that will be happening on the ASU Downtown Night of the Open Door. Check here for all the details.
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TrueDTPHX celebrates local food, music, art and the ‘True’ urban experience
With NFL Pro Bowl and Super Bowl activities putting Downtown Phoenix in the national spotlight, the downtown community is throwing an extended open house party to give visitors and locals a taste of what makes downtown so rad.
TrueDTPHX kicks off Jan. 23.
Here’s the game plan:
- TrueDTPHX , a showcase of our local music and art scenes, will be held at award-winning Civic Space Park in the heart of Downtown Phoenix over two days on Friday, Jan. 23 and Saturday, Jan. 24. This free, family friendly gathering includes musical performances by Steve Ayote, Luna Aura, Decker, WLFPCK, Captain Squeegee and Jared & the Mill. TrueDTPHX will also feature a live art installation by local artist Isaac Caruso. Known for his attention-grabbing public art pieces, Caruso had his first showing at the Smithsonian when he was just 19 years old. The festival also features food trucks, beer garden and community vendor tables.
- Speaking of local fare, DTPHX City Sampler gives locals and visitors alike the wallet-friendly opportunity to taste test many of downtown’s mouth-watering restaurants. DTPHX City Sampler is a self-guided walking tour so wear sunscreen and comfortable kicks. And with over 20 downtown restaurants each offering two menu items for $5, best bring your appetite, too.
- Feel like shopping local? How about dancing? Check out the Roosevelt Row Sidewalk Sale or Phoenix Public Market Featuring Kalliope.
- One of the most anticipated projects of 2015 is the new Desoto Building and you can get a free sneak peek at the property during an all-day patio party Jan. 24 benefiting the Evans Churchill Community Association.
- What about something quintessentially downtown cool? That would be the Super Fooshuman foosball tournament being held Jan. 23-31 at Kitchen Sink Studios.
- Speaking of cool, Jan. 23 thru Feb. 1 locals and visitors are encouraged to travel between activities at Super Bowl Central and to community based events to the north via First Street, which is emerging as the preferred pedestrian corridor linking the downtown core to the Roosevelt Row Arts District. During Pro Bowl and Super Bowl weeks First Street will feature stimulating activations like pop-up living rooms, the first phase of the temporary park Space Between as well as the impactful storage container art installation The Scarlet Cord.
Images courtesy of Downtown Phoenix, Inc.
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Works by Leonardo da Vinci Will Be On Display in Arizona for the First Time Through New Phoenix Art Museum Exhibition
Shown alongside Leonardo’s Codex Leicester will be 31 works by acclaimed artists who demonstrate his practices of observation
Leonardo da Vinci’s Codex Leicester and the Power of Observation will open at Phoenix Art Museum on January 24, 2015. The exhibition is focused around the Codex Leicester—comprised of 18 double-page and double-sided sheets (72 pages total). This is the only manuscript by Leonardo in a private American collection and one of the world’s most important intellectual manuscripts.
Focused primarily on Leonardo’s study of water and the moon, the codex pages display his creative process, the way he reasoned through a concept, and how he influenced artists throughout centuries. Along with the Codex Leicester will be 31 additional artworks by artists ranging from Claude Monet and Gustave Courbet, to Ansel Adams and Bill Viola. Included will be paintings, photographs and a video installation, depicting a broad range of subject matter including water, waves, shells, peppers, milk, geysers, leaves, sand, oceans and the moon. The oldest of the accompanying artworks included will be Jacopo de’ Barbari’s massive View of Venice (1500), the first printed image to receive a copyright, and the most recent will be Devorah Sperber’s After the Mona Lisa 8 (2010), a work comprised of more than 1400 spools of thread. The exhibition as a whole will help visitors better understand how Leonardo da Vinci’s observational skills have continued to be practiced by modern-day artists. Leonardo’s in depth study, notes and illustrations on the movement of water are especially relevant to the people of Arizona.
There’s no question that Leonardo da Vinci (1452-1519) was one of the most intriguing people to ever live. Brilliant in the arts, sciences and engineering, he was driven by a deep sense of curiosity about the world around him, recording his observations on scores of paper sheets that were later gathered and bound as manuscripts, or codices. Leonardo’s active mind and working method are defined in this exhibition by three primary characteristics: curiosity, direct observation and thinking on paper. These characteristics are vital parts of the creative process and they pave the way toward great discoveries and inventions. “This exhibition of Leonardo’s Codex Leicester will be groundbreaking in its approach, bringing Leonardo into a broad artistic context that explores his continuing influence on artists into our own time,” said Jerry Smith, curator of American and European art to 1950 and art of the American West at Phoenix Art Museum.
Making Leonardo da Vinci and the Codex Leicester relevant for today’s audience is the goal of this exhibition. Visitors and academic institutions will participate in programs developed around ideas expressed by Leonardo in the Codex Leicester. “Leonardo was a true Renaissance master and we are able to celebrate his genius through the Codex Leicester,” said James K. Ballinger, The Sybil Harrington Director at Phoenix Art Museum. He added, “This will be the first time original work by the hand of Leonardo will be presented in Arizona, and we are pleased the Museum can create a platform for our community to better understand the challenges we face regarding water resources in the future. This is exactly the kind of project we should be presenting for our visitors.”
Leonardo da Vinci’s Codex Leicester and the Power of Observation will be on view at Phoenix Art Museum from January 24 to April 12, 2015. Support was made possible through the generosity of The Dorrance Family Foundation, SRP, J.W. Kieckhefer Foundation, Margaret T. Morris Foundation, Virginia G. Piper Charitable Trust Exhibition Endowment Fund, The Virginia M. Ullman Foundation, BlueCross BlueShield of Arizona, Friends of European Art (a Museum support organization), Herbert H. and Barbara C. Dow Foundation, and The Phoenician.
Images Credit: Leonardo da Vinci (1452 – 1519, Italian), Codex Leicester, c.1506-10 (detail). Ink on paper. Each double sheet 11 ¾” x 17 5/8” Image Courtesy ©bgC3.
Linton’s collection of black-and-white photos of people living on the streets returns downtown in a February exhibition at monOrchid’s Bokeh Gallery, and “I Have A Name” has expanded with ambitious plans for a mural on the monOrchid building.
The gallery show opens on February 6, with additional events on February 13 — when the local support organization Pineapple Triangle hosts an artisan market benefiting the mural project — and on February 20 (the closing reception).
Meanwhile, Linton is running an Indiegogo crowdfunding campaign to raise money for the monOrchid’s exterior artwork, with the goal of spurring conversation about homelessness. “The ‘I Have A Name’ Project has teamed with prominent artists Brian Boner and Wayne Rainey to create this powerful and important mural,” Linton states in his fundraising description. “A west wall of the building will carry a message in humanity and compassion while the north facing wall shall list names of those lost to the street. The overall scope of this work intends to create a dialogue beyond the boundaries of this city and help motivate action that might end the human suffering that is homelessness.” Of the $15,695 goal, $10,000 is designated to pay for artist labor over several months.
“During this past year,” says Linton, “the Project…has supplied or helped facilitate many donations in clothing or hygiene kits to local shelters, and enjoys working with Justa Center and Central Arizona Shelter Services.” He continues, “We have provided shoes, socks, meals and water to our neighbors in need on the street.”
Linton describes another aspect of his organization’s charitable activities. “Recently, we sold tee shirts printed by TumbleTees, a local Phoenix company that hires formerly homeless teens, and used the proceeds to provide a meal to 50 homeless veterans at Christmas at MANA House.”
Although “I Have A Name” is not a non-profit 501c3 organization, its association with monOrchid’s Shade Projects allows tax-deductible charitable contributions. Linton explains, “The…project is essentially a one-man army, and while receiving donations that have allowed the exhibition to travel, our efforts remain self-funded.”
“Over these past months, I have dedicated nearly 1800 hours in expanding this message of compassion,” he adds. “I continue to take photographs and gather narratives weekly. It’s tragically dehumanizing to be on the street — on many occasions the most valuable thing I can offer is an ear.”
- The “I Have A Name” project’s website and Facebook page
- Gallery show runs Feb. 6-20 at monOrchid’s Bokeh Gallery
- 214 E. Roosevelt St. in downtown Phoenix
- email@example.com or 602-253-0339
- The mural campaign for “I Have a Name” on Indiegogo
- Central Arizona Shelter Services (CASS)
- 230 S. 12th Ave.; 602-256-6945
- Justa Center
- 1001 W. Jefferson; 602-254-6524
- MANA (Marines, Army, Navy, Air Force) House
- 755 E. Willetta; 602-254-6785
- Part of Madison Street Veterans Association — Veterans Outreach Center (VOC) at 233 S. 11th Ave.
- TumbleTees t-shirts
As an independent chronicler of all things downtown, DPJ takes a comprehensive approach to covering the urban living movement in Phoenix and, with this Conversation series, spotlighting the people who make it move.
“Of the million or so people who will come downtown, most of them will not be from out of state. ”
Mayor Greg Stanton sat down with us to reflect on the progress downtown stakeholders have made over the last year in helping to create the vibrant urban core that we all want. We covered so much ground with the Mayor that we are breaking our conversation into two parts. This first part focuses on the success we’ve had in our city with bringing a wide-range of downtown stakeholders together to increase events and opportunities for people to experience our city center. And, of course, we spoke about the opportunities that events such as the coming Pro Bowl and Super Bowl present for downtown.
Stanton is rooted in Phoenix, with lifelong ties to the urban core. He grew up on the northwest side of Phoenix, in a family that made sure to get downtown on a semi-regular basis. There were frequent outings, mostly by bus, to attend free Phoenix Symphony pops concerts, visit the library, or marvel at the miniatures in the Phoenix Art Museum. He moved away for college, but returned as a professional lawyer and worked in downtown. When he became the councilman for District 6, his district was the wide-ranging, but he was always considered a strong advocate for downtown.
As a downtown advocate, Mayor Stanton has been keenly aware that all of the stakeholders who are investing their time, passion and their treasure in our urban core are critical to building the downtown we want. He believes that Downtown Phoenix, Inc. has been key player in the last year in bringing these diverse stakeholders to the same table with an equal voice to plan our collective future:
It’s the age old dilemma of ‘who runs downtown?’ Is it the big companies with big headquarters or is it the smaller businesses, smaller entrepreneurs and locally-owned businesses, or the working artists?
A lot of people really felt that they were making it happen in downtown – Roosevelt Row, Grand, the restauranteurs – and they felt like, in some way, they weren’t being listened to in terms of the positive changes that should be happening in downtown. That was probably a false dichotomy previously, but with DPI we’ve made it a false dichotomy by putting all those groups in the same room at the same time, with the exact same decision-making capacity.
The main criticism of the old decision-making model for downtown was that it was too focused on building stuff and less focused on the street level activity and the life. As Mayor, I love both equally. DPI has come together with a focus not just on bringing life back to downtown, but making downtown the center of life in this valley and state. So far, that is the number one accomplishment of DPI: the success they’ve had in bringing new activities and new life to downtown.
In the midst of all the great downtown-based activities that exist from Zombie Walk to First Fridays, pub crawls, the Viva Phoenix music festival, family movie nights at the Downtown Civic Center Park and more, Downtown is about to host one million plus guests in the week between the Pro Bowl and Super Bowl.
We asked the Mayor to talk a little about what that means for the future of Downtown. Who are the audiences? What will they learn about Downtown?
One audience is the 100,000 + people who are coming to Phoenix because of football – fans or those associated with the team, etc. Some may not have tickets, but will be participating in all the game related events and activities. We want to make sure they have the very best experience, that we’re the very best hosts, that we’ve thrown out the welcome mat, the red carpet…. Being a great host begets other great hosting opportunities, so we are absolutely focused on being the very best host possible.
Many of these visitors will be involved in a decision-making capacities in their various companies, and can influence future decisions to come to Phoenix.It’s part of the ongoing brand of Phoenix. Having the world’s friendliest airport and being able to host events of the highest magnitude, not just have the facilities but the feel that people get when they come to Phoenix – a warm welcoming feel.
The next significant audience that Mayor Stanton pointed to are the downtown pioneers: the downtown businesses, entrepreneurs and restauranteurs who are already committed to downtown.
As we block off twelve blocks, we want to ensure that those who are inside are the first option for the million or so people that will come downtown. I want to make sure that those who are already here and have made that investment will feel like the Super Bowl was a worthwhile endeavor for them and not a drive-by that happened to them.
The third group that the Mayor identified was perhaps the most significant.
Of the million or so people who will come downtown, most of them will not be from out of state. Most of these visitors will be from here and many of them have not been to downtown before, or maybe for a Diamondbacks or Suns game. Most of them will not have had a significant downtown Phoenix experience. Many of them may think because of perceptions about urban downtowns around the country that it won’t be a positive experience.
This event can have a sustaining legacy by providing a unique opportunity on those four or five nights when people are coming down for Super Bowl Central and related events to have the very best experience and think:
Of the million or so people who will come downtown, most of them will not be from out of state. Most of these visitors will be from here and many of them have not been to downtown before, or maybe for a Diamondbacks or Suns game. Most of them will not have had a significant downtown Phoenix experience. Many of them may think because of perceptions about urban downtowns around the country that it won’t be a positive experience. This event can have a sustaining legacy by providing a unique opportunity on those four or five nights when people are coming down for Super Bowl Central and related events to have the very best experience and think:
- ‘That was pretty fun.’
- ‘That restaurant we tried was great, and we can go back for the great food and great service.’
- ‘I saw things that I wasn’t aware of that are in my downtown.’
That is going to be the great lasting impact of the Super Bowl: A whole new feeling of what downtown Phoenix is to the rest of the Valley.
Next week we’ll finish the conversation with the Mayor’s thoughts on the challenges and opportunities presented by other seismic changes that are in the process of transforming what Downtown Phoenix means to our collective future.